2015
DOI: 10.3389/fpsyg.2015.00780
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Facial expression at retrieval affects recognition of facial identity

Abstract: It is well known that memory can be modulated by emotional stimuli at the time of encoding and consolidation. For example, happy faces create better identity recognition than faces with certain other expressions. However, the influence of facial expression at the time of retrieval remains unknown in the literature. To separate the potential influence of expression at retrieval from its effects at earlier stages, we had participants learn neutral faces but manipulated facial expression at the time of memory ret… Show more

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Cited by 16 publications
(15 citation statements)
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References 36 publications
(63 reference statements)
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“…An impact on memory accuracy (irrespective of its direction) on both memory measures would be in line with studies using similar designs that have varied emotional expressions between learning and test, reporting differences in discrimination ability based on the expressional valence (e.g. Chen et al, 2015;Righi et al, 2012).…”
Section: The Current Studysupporting
confidence: 81%
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“…An impact on memory accuracy (irrespective of its direction) on both memory measures would be in line with studies using similar designs that have varied emotional expressions between learning and test, reporting differences in discrimination ability based on the expressional valence (e.g. Chen et al, 2015;Righi et al, 2012).…”
Section: The Current Studysupporting
confidence: 81%
“…Inconsistencies in results have also been found in studies manipulating emotional (happy or angry) expressions of the same face at retrieval using neutral faces at learning. Either the influence of facial expression on memory did not differ (D'Argembeau & Van der Linden, 2011), or faces that returned as angry (rather than happy) improved recognition (Chen et al, 2015). Furthermore, in an attempt to create well-defined perceptual variations of facial expressions of the same face, some studies have used morphing technique to create alterations (e.g.…”
Section: Memory For Faces and Facial Emotionmentioning
confidence: 99%
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“…This said, timbre need not be equated to sound source identity: a particular sound source (e.g., a human voice, a violin) can emit multiple timbres (different vowels, bowed vs. plucked sounds). Playing an instrument in an unusual or extreme manner, thereby producing unorthodox timbres (e.g., prepared piano, muted brass, woodwind squeaks, flutter tongue) can make that instrument difficult to recognize, similar to how an extreme facial expression 25 or makeup 26 can hinder face recognition. Pitch can also contribute to the identity of a sound, but characterizations of the relationship between pitch and timbre are somewhat murky.…”
Section: Discussionmentioning
confidence: 99%
“…Second, the present design may be confounded by picture-matching instead of face-matching mechanisms as the static-static and elastic-elastic conditions showed overall better recognition compared to the other conditions. It is commonly observed in recognition research that a direct link exists between the similarity of images presented during learning and test-phase, and the recognition rate (e.g., Ritchey et al, 2013 ; Chen et al, 2015 ). Several previous studies (e.g., Lander et al, 2004 ; Pilz et al, 2006 ) have implemented changes in viewpoint or expression during recognition to ensure that they were assessing face processing instead of identical picture matching (i.e., same background lighting, same shutter settings, same focal length, et cetera), which could serve as an alternative strategy to recognition.…”
Section: Discussionmentioning
confidence: 99%