Expanding the Paradigm: Bringing Designerly Perspectives Into Creativity Scholarship

Henriksen, Danah

doi:10.3846/cs.2019.6757

Cited by 4 publications

(3 citation statements)

References 33 publications

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“…The entry of new, postmodern artistic concepts opened the door to new understandings of creativity—notably, those not centered on Man. Yet, Western psychological understandings of creativity have still dominated many domains of scholarly literature, with their focus on the individual, the gifted, or exceptional human minds (Henriksen, 2019). These understandings carry assumptions about autonomy and “the ability to dominate and shape the subordinate matter that is part of our world (Łapińska, 2020, p. 337).…”

Section: The Dominant Discourses Of Creativity and Posthumanismmentioning

confidence: 99%

Rethinking the Politics of Creativity: Posthumanism, Indigeneity, and Creativity Beyond the Western Anthropocene

Henriksen

Creely

Mehta

2021

Qualitative Inquiry

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With the emergence of Western posthuman understandings, new materialism, artificial intelligence (AI), and the growing acknowledgment of Indigenous epistemologies, an ongoing rethinking of existing assumptions and meanings about creativity is needed. The intersection of new technologies and philosophical stances that upend human-centered views of reality suggests that creativity is not an exclusively “human” activity. This opens new possibilities and assemblages for conceiving of creativity, but not without tensions. In this article, we connect multiple threads, to reimagine creativity in light of posthuman understandings and the possibilities for creative emergence beyond the Anthropocene. Creativity is implicated as emerging beyond non-human spaces, such as through digitality and AI or sources in the natural world. This unseats many understandings of creativity as positioned in Euro-Western literature. We offer four areas of concern for interrogating tensions in this area, aiming to open new possibilities for practice, research, and (re)conceptualization beyond Western understandings.

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Section: The Dominant Discourses Of Creativity and Posthumanismmentioning

confidence: 99%

Rethinking the Politics of Creativity: Posthumanism, Indigeneity, and Creativity Beyond the Western Anthropocene

Henriksen

Creely

Mehta

2021

Qualitative Inquiry

Self Cite

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“…Traditionally, there was little research on the creativity of dominant psychology (Henriksen, 2019), but there were also research in other sciences, including the theory of organization (Saether, 2019). It also provides a foundation for understanding the emergence of new businesses (Bocken, Boons, & Balldassare, 2019).…”

Section: Creativitymentioning

confidence: 99%

Review Paper: The Mediating Role of Creativity on the Relationship Between Knowledge Management and Human Resource Management Toward Innovation Performance in the Jordanian Smes

Abdulaal

Nordin

2020

IJIM

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This study aims to review around 100 previous studies in the SMEs in Jordan. The economic revolution at the current moment is relying on the SMEs industry to handle the crucial business in the countries. The main concern of this study is the innovation performance in the SMEs in Jordan, which is a need to compete in the current competitive business world nowadays. This study found the innovation performance is needed in the SMEs in Jordan. The study found human resource management, knowledge management, and creativity are among the variables that must be included toward the prosperity of the industry to be able to assist the country’s economy. Moreover, there is a relationship found between activating the role of human resource management on the intellectual capital, creativity, and innovation in the Jordanian SMEs.

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“…The term creative scholarship was adopted by interior design educators in 1989 (Guerin & Birdsong, 1995) and has involved various design-related disciplines (e.g., apparel design, interior design, architecture) since then. Design scholars often refer to creative scholarship as design scholarship (Henriksen, 2019) and use these two terms interchangeably.…”

Section: Literature Reviewmentioning

confidence: 99%

Apparel Design Scholarship Practices: Analysis of ITAA Professionals’ Design Abstract Proceedings From 1999 to 2017

Lee

Min

Koo

2020

Clothing and Textiles Research Journal

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We explored the topical trends of the International Textile and Apparel Association professionals’ Design Abstract Proceedings (DAP) and how apparel design scholarship has been cited in the discipline for the past two decades. Using a content analysis, three research objectives were as follows: to examine (a) designer-identified keywords trends of the DAP, (b) to examine DAP directly cited in scholarly works, and (c) to examine DAP not directly cited but related to designers’ scholarship. Six overarching themes (inspirational references, apparel design, technology, sustainability practices, textiles, and nonapparel) were identified through the keywords analysis and used for further analyses. We found that design scholars were not used to cite other relevant scholarly works or their own works in their scholarly design work. The study findings provide an awareness for the strong need to establish citation practices for design scholars, which will add to the body of knowledge in clothing and textiles and increase the impact of design scholarship beyond the discipline.

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Expanding the Paradigm: Bringing Designerly Perspectives Into Creativity Scholarship

Cited by 4 publications

References 33 publications

Rethinking the Politics of Creativity: Posthumanism, Indigeneity, and Creativity Beyond the Western Anthropocene

Rethinking the Politics of Creativity: Posthumanism, Indigeneity, and Creativity Beyond the Western Anthropocene

Review Paper: The Mediating Role of Creativity on the Relationship Between Knowledge Management and Human Resource Management Toward Innovation Performance in the Jordanian Smes

Apparel Design Scholarship Practices: Analysis of ITAA Professionals’ Design Abstract Proceedings From 1999 to 2017

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