2003
DOI: 10.1007/3-540-36605-9_48
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Evolutionary Music and the Zipf-Mandelbrot Law: Developing Fitness Functions for Pleasant Music

Abstract: Abstract.A study on a 220-piece corpus (baroque, classical, romantic, 12-tone, jazz, rock, DNA strings, and random music) reveals that aesthetically pleasing music may be describable under the Zipf-Mandelbrot law. Various Zipf-based metrics have been developed and evaluated. Some focus on musictheoretic attributes such as pitch, pitch and duration, melodic intervals, and harmonic intervals. Others focus on higher-order attributes and fractal aspects of musical balance. Zipf distributions across certain dimensi… Show more

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Cited by 42 publications
(24 citation statements)
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“…Schizophrenia and autism, both psychiatric conditions associated with various forms of midline cerebellar pathology (Heath et al, 1982;Deicken et al, 2001), are also associated with defects in the perception and transmission of emotional information (Ornitz, 1970;Schmahmann, 2000). Our finding of a significant correlation between changes in emotional state and wavelet exponent unique to PIV supports an observation by Shaffer (1981;cited in Wing et al, 2004) that emotions are expressed by intended variations in movement timing (e.g., vocal porosity; musical production; dance: Juslin and Laukka, 2003;Madison, 2000;Manaris et al, 2003) aspects of which display power-laws (Tuller et al, 1997;Voss and Clarke, 1975). Is 1/f-type emotional-motor production variability perceived (Bhattacharya et al, 2001, Jeong et al, 1998 and if so, then does it serve the brain as a neurobiological broad-band carrier wave Teich and Lowen, 1994;Teich et al, 1996) for the reception, translation and retransmission of emotional experience (Jeong et al, 1998)?…”
Section: Discussionsupporting
confidence: 89%
“…Schizophrenia and autism, both psychiatric conditions associated with various forms of midline cerebellar pathology (Heath et al, 1982;Deicken et al, 2001), are also associated with defects in the perception and transmission of emotional information (Ornitz, 1970;Schmahmann, 2000). Our finding of a significant correlation between changes in emotional state and wavelet exponent unique to PIV supports an observation by Shaffer (1981;cited in Wing et al, 2004) that emotions are expressed by intended variations in movement timing (e.g., vocal porosity; musical production; dance: Juslin and Laukka, 2003;Madison, 2000;Manaris et al, 2003) aspects of which display power-laws (Tuller et al, 1997;Voss and Clarke, 1975). Is 1/f-type emotional-motor production variability perceived (Bhattacharya et al, 2001, Jeong et al, 1998 and if so, then does it serve the brain as a neurobiological broad-band carrier wave Teich and Lowen, 1994;Teich et al, 1996) for the reception, translation and retransmission of emotional experience (Jeong et al, 1998)?…”
Section: Discussionsupporting
confidence: 89%
“…the slopes for least preferred pieces indicate more chaotic proportions (average of -0.8846). This is consistent with slopes seen in earlier studies [7,8,24].…”
Section: Resultssupporting
confidence: 93%
“…Empirical studies demonstrate connections between power laws and human aesthetics [8,19,20,21]. For instance, "socially-sanctioned" (popular) music exhibits power laws across various attributes [7,21,22,24].…”
Section: Power Laws and Musicmentioning
confidence: 99%
“…Sometimes, more structure is put into the design of the fitness function by the system designer. For example, in the work of Manaris et al (2003), the fitness function is in the form of a Zipf-Mandlebrot law, the parameters of which are tuned so that the function would give a high value when applied to a specific corpus of musical material. This latter approach combines the corpus-based approach with the aesthetic measure approach discussed above; the system designer is asserting that the functional form of the fitness function is a meaningful measure, and then the parameter details are learned from the corpus.…”
Section: Corpusmentioning
confidence: 99%