EPANASTASIS-1821: Designing an Ιmmersive Virtual Museum for the Revival of Historical Events of the Greek Revolution

Georgia, Georgiou,; Anastasovitis, Eleftherios; Nikolopoulos, Spiros; Kompatsiaris, Ioannis

doi:10.1007/978-3-030-73043-7_28

Cited by 2 publications

(3 citation statements)

References 7 publications

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“…Virtual museology aligns with the new transformative dimension of digital museology, which requires a full-immersive user experience in a three-dimensional virtual environment without interaction with the physical environment [10,11]. Virtual museums (VMs) have emerged as a prominent pandemic response to remote access and new digital forms of engagement with cultural content, leading to beneficial interactions with space, objects, and learning motivation [12].…”

Section: Virtual Museology: Requirements Limitations Perspectivesmentioning

confidence: 99%

“…For example, augmented reality applications can offer enriched cultural walks in the center of a city or connect archaeological sites with their associated artifacts displayed in exhibitions or museum warehouses [56]. Virtual reality applications have the power to transfer the user to the historical context in which important events took place in virtual worlds [10] with a high level of immersion [57][58][59]. The adaptation and integration of haptic technologies into extended reality applications further increase the degree of users' immersion as the virtual world interacts with them in an expected and realistic way.…”

Section: Extended Realitymentioning

confidence: 99%

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Enhanced Inclusion through Advanced Immersion in Cultural Heritage: A Holistic Framework in Virtual Museology

Anastasovitis,

Georgiou,

Matinopoulou

et al. 2024

Electronics

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In recent years, the digitization of cultural heritage has been favored by significant advancements in specific technologies, such as photogrammetry and three-dimensional scanning. The digital representations of artifacts, paintings, books, and collections, as well as buildings or archaeological sites, has led to the transfer of cultural organizations to the digital space. On the other hand, the rapid development of immersive technologies and the Internet of Things is expected to decisively shape virtual cultural heritage in the coming years. However, this digital transition should expand its impact on most of the population. This article aims to cover the lack of structured methodology in the design and development of inclusive virtual spaces in cultural heritage. This research introduces a holistic framework that is mainly based on the disciplines of virtual museology. The proposed methodology takes into account the advancements in extended reality and the creative industry of computer games. The multisensory approach would lead to advanced immersive experiences, while the multilayered approach of cultural heritage content would enhance accessibility in inclusive virtual spaces. Moreover, this holistic framework could provide evidence from the virtual worlds that could be applied to real cultural heritage organizations.

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Section: Virtual Museology: Requirements Limitations Perspectivesmentioning

confidence: 99%

Section: Extended Realitymentioning

confidence: 99%

Enhanced Inclusion through Advanced Immersion in Cultural Heritage: A Holistic Framework in Virtual Museology

Anastasovitis,

Georgiou,

Matinopoulou

et al. 2024

Electronics

View full text Add to dashboard Cite

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“…Integrating serious game technology within museum environments has opened up new possibilities for educational and entertaining museum experiences. This contribution outlines the principles and guidelines that shaped the digital museological design process of the Virtual Museum EPANASTASIS-1821 [18].…”

Section: Introductionmentioning

confidence: 99%

The Methodology of Virtualizing Sculptures and Drawings: A Case Study of the Virtual Depot of the Gallery of Matica Srpska

Obradović,

Mišić,

Vasiljević

et al. 2023

Electronics

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The aim of this paper is to introduce the public to the virtual depot of the Gallery of Matica Srpska (GMS), which showcases a collection of sculptures that have been digitized using a Structure-from-Motion photogrammetry and presented by the use of virtual reality and paintings, and drawings were presented through a digital flipbook application. Through the application of cutting-edge methods, highly precise digital replicas of these significant cultural artifacts have been created with details that are difficult to see without a magnifying glass when observing the physical artifact. Additionally, it explores the profound significance and advantages of the virtual depot, such as facilitating remote access, augmenting preservation endeavors, and fostering interdisciplinary collaborations, academic research, educational purposes, and public engagement. The implementation of the virtual depot offers a novel approach to showcasing and studying cultural heritage, opening up new possibilities for the exploration and appreciation of these artifacts in a digital environment. Today, the collection of the GMS encompasses more than 10,000 art objects, which means that one visitor would need about 53 years to access each individual artifact. Virtual depot enables each visitor to do this much faster, but more importantly, in any occasion and setting that they find suitable.

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EPANASTASIS-1821: Designing an Ιmmersive Virtual Museum for the Revival of Historical Events of the Greek Revolution

Cited by 2 publications

References 7 publications

Enhanced Inclusion through Advanced Immersion in Cultural Heritage: A Holistic Framework in Virtual Museology

Enhanced Inclusion through Advanced Immersion in Cultural Heritage: A Holistic Framework in Virtual Museology

The Methodology of Virtualizing Sculptures and Drawings: A Case Study of the Virtual Depot of the Gallery of Matica Srpska

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