“…With the rising of expressive social media, Ashley & Tuten (2015) suggested the need for experiential appeals from her content analysis study and recently Simon et al (2013) proposed an online brand experience in Facebook with dimensions of sensory, affective, cognitive, relational, usability and engagement and Tafesse(2016) suggested dimensions of sensations, cognitions, behaviours and social dimensions but without an empirical study. However, the study of content in expressive social media platform to date, mostly focuses on suitable type of content based on characteristics such as vividness of image (De Vries, Gensler & Leeflang, 2012;Sabate, Berbegal-Mirabent,Canabate & Lebherz, 2014;Luarn, Lin & Chiu, 2015;Coursaris,Osch & Balogh, 2016), functional (Coursaris et al, 2016;Kim,Kang, Choi & Sung, 2016), novelty content (Tafesse, 2015;Syrdal & Briggs, 2018), transformation (Tafesse & Wein, 2018), emotional (Lee, Hosanagar & Nair, 2018), image with text ( Kwok & Yu, 2013;Pancer, Chandler, Poole, & Noseworth, 2018;Lee et al, 2018;Trefzger, Baccarella & Voigt, 2016), photos (Hirvijarvi, 2017) by tracking on standardized metrics of engagement such as share, like, comment using interviewing techniques (Syrdal & Briggs, 2018), text mining (Kwok & Yu, 2013), content analysis (Swani,Milne & Brownm 2013;Sabate et al, 2014;Luarn et al, 2015;Coursaris et al, 2016;Trefzger et al, 2016 ),voting (Hirvijarvi, 2017), imagination of any brand (Kim et al, 2016), systemic analysis (Tafesse, 2015), coding (Tafesse & Wein, 2018) and calculation with Turk software (Pancer et al, 2018;Lee et al, 2018) which show that the trend of study is still in the exploratory phase and there is lack of focus on using an experie...…”