“…Current empathy theories and scales allow for a good distinction but, when considering fiction, more nuanced tools are needed to account for the various forms of perspective-taking prompted by different narrative modes, e.g., first-person or third-person narration (Lissa et al, 2016), goal-directed actions (Speer et al, 2009), and trust in the narrator (Archer & Finger, 2018). Moreover, besides emotional response and conscious mentalizing, another kind of empathic response particularly relevant for fictional narrative should be considered: embodied response (Burke et al, 2016). More broadly, the embodied and enactive activation due to reading fiction (Caracciolo, 2014;Sukalla et al, 2016) should be taken into account with respect to its convergence and dissonance with the embodied and enactive sense of presence in a visually presented virtual environment (Skarbez et al, 2017).…”