Elicitation Methods in Experimental Design Research

Strickler, Zoe

doi:10.2307/1511840

Cited by 10 publications

(3 citation statements)

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“…Properties of prospective and intended users of a tool can be invested by different methods, such as: focus group research (Strickler, 1999), where a group of (prospective) users or stakeholders of a product are brought together to collect information about their behaviour, user profiling, to gain insight into the personal background, the aspirations and expectations of prospective users. Related to this are accessibility aids and tools, where technologies are conceptualized and improved to allow and help people with disabilities to use computer-based systems (more efficiently) (Newton-Dunn et al, 2003).…”

Section: User Inspection Methodsmentioning

confidence: 99%

User-oriented studies in embodied music cognition research

et al. 2010

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Music research aims at developing a research space that, in a proactive sense, can support the development of creative and cultural industries. In that context, we argue that a focus on users and their experiences in using tools may become more important in music research. It implies an expansion of the traditional methods of music psychology with methods that can address relevant features of musical action and musical tool use. This paper discusses epistemological and methodological issues related to this development.

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Section: User Inspection Methodsmentioning

confidence: 99%

User-oriented studies in embodied music cognition research

et al. 2010

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“…However, its use is often limited. For example, Strickler says that "questions regarding how an end user might interpret, interact with, and act on designed communication objects generally have been presumed to be addressed adequately by the designer's intuition" [20].…”

Section: Introductionmentioning

confidence: 99%

Formats for User Data in Inclusive Design

Goodman

Langdon

Clarkson

2007

Lecture Notes in Computer Science

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Abstract. Although i nformation about users is vitally important in inclusive design, its use is often limited. The literature suggests that this is, at least in part, due to the ways in which the information is provided, which do not always match designers' needs. We therefore conducted a study to discover the information formats that designers do and do not like and use. In this paper, we draw implications for the presentation of design information, suggesting that it should be quick and easy to find and use, visual and stimulating, flexible and open-ended, and relate clearly and concretely to design issues. We also propose two categorisations of information formats and types and discuss the suitability of some specific examples of types of user information.

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“…In graphic design the literature lacks applied studies especially in relation to end-user research. Strickler (1999) called for end-user research methods in graphic design to be developed, but little has been done since then. Forlizzi and Lebbon (2002) claim that emerging methods for undertaking user-centred design in graphic design remain untested.…”

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confidence: 99%

The hybrid designer/end-user: Revealing paradoxes in co-design

Taffe

2015

Design Studies

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Elicitation Methods in Experimental Design Research

Cited by 10 publications

References 0 publications

User-oriented studies in embodied music cognition research

User-oriented studies in embodied music cognition research

Formats for User Data in Inclusive Design

The hybrid designer/end-user: Revealing paradoxes in co-design

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