User-oriented studies in embodied music cognition research

Leman, Marc; Lesaffre, Micheline; Nijs, Luc; Deweppe, Alexander

doi:10.1177/10298649100140s212

Cited by 16 publications

(16 citation statements)

References 46 publications

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“…Over the last decade, music performance and cognitive experiments have been increasingly relying on the use of human-computer interaction technologies [7,27,30]. Though many devices have been specifically produced and optimized for human use, the field of animal cognition still lacks the development of enough ad-hoc technological tools [35,49,50].…”

Section: Discussionmentioning

confidence: 99%

“…Mapping sensory readings to sounds can have a number of applications, such as accurate tracking of vital functions during surgery [28], augmented human interaction with objects [29], and facilitation in learning new movements [2,4]. In particular, sensing for sound manipulation purposes has proven critical in developing new musical interfaces and means of expression [5,27,30,31]. Sensory technologies and computational power have enabled the development of virtual musical instruments and augmented reality environments [6,10,11,32].…”

Section: Introductionmentioning

confidence: 99%

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Primate Drum Kit: A System for Studying Acoustic Pattern Production by Non-Human Primates Using Acceleration and Strain Sensors

Ravignani

Olivera

Gingras

et al. 2013

Sensors

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The possibility of achieving experimentally controlled, non-vocal acoustic production in non-human primates is a key step to enable the testing of a number of hypotheses on primate behavior and cognition. However, no device or solution is currently available, with the use of sensors in non-human animals being almost exclusively devoted to applications in food industry and animal surveillance. Specifically, no device exists which simultaneously allows: (i) spontaneous production of sound or music by non-human animals via object manipulation, (ii) systematical recording of data sensed from these movements, (iii) the possibility to alter the acoustic feedback properties of the object using remote control. We present two prototypes we developed for application with chimpanzees (Pan troglodytes) which, while fulfilling the aforementioned requirements, allow to arbitrarily associate sounds to physical object movements. The prototypes differ in sensing technology, costs, intended use and construction requirements. One prototype uses four piezoelectric elements embedded between layers of Plexiglas and foam. Strain data is sent to a computer running Python through an Arduino board. A second prototype consists in a modified Wii Remote contained in a gum toy. Acceleration data is sent via Bluetooth to a computer running Max/MSP. We successfully pilot tested the first device with a group of chimpanzees. We foresee using these devices for a range of cognitive experiments.

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Section: Discussionmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

Primate Drum Kit: A System for Studying Acoustic Pattern Production by Non-Human Primates Using Acceleration and Strain Sensors

Ravignani

Olivera

Gingras

et al. 2013

Sensors

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“…Webster, 2002Webster, , 2007Adessi & Pachet, 2005;Addessi, Ferrari, Carlotti, & Pachet, 2006;Bresler, 2007). In line with current developments within the field of embodied music cognition (Leman, Lesaffre, Nijs, & Deweppe, 2010) and in music education research (for an overview see e.g. Colwell & Richardson, 2002;Bresler, 2007), we adopt a methodological design approach that copes with three recent developments, namely, (1) a shift of focus from a subject who participates in an experiment to a user of tools, (2) a shift of focus from laboratory research to research in an ecological setting and (3) a shift from a mere qualitative approach to a combination of qualitative and quantitative research methods.…”

Section: Methodological Approachmentioning

confidence: 83%

The Music Paint Machine: Stimulating Self-monitoring Through the Generation of Creative Visual Output Using a Technology-enhanced Learning Tool

Nijs

Moens

Lesaffre

et al. 2012

Journal of New Music Research

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In this paper, we discuss the pedagogically grounded and research-based design of a technology-enhanced learning tool, the Music Paint Machine. This interactive music system introduces a musical experience in which the musician creates a digital painting by playing an acoustic musical instrument and by moving the body on a coloured pressure mat. As a learning tool it aims at the development of musical creativity, at the stimulation of embodied understanding of music and at the development of an intimate relationship with the musical instrument.First, the methodological approach is outlined and pedagogical and theoretical backgrounds are discussed. Then, we report on an experiment in which 51 amateur musicians participated. The experiment aimed at probing the application's potential to induce a flow experience and to learn about how participants evaluate the didactic relevance of the Music Paint Machine. Results suggest that the Music Paint Machine has the potential to evoke a flow experience. Furthermore participants acknowledged its didactic relevance with regard to learning to improvise, to developing understanding of musical parameters and to stimulating creativity.

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“…On the other hand, embodied music cognition (EMC) is one of the major parts of the recent research. The proponents of EMC insist that the body acts as mediator in music perception, so music cognition depends on the body [13]. Moreover, the insistence covers bodily structure affects musical representation because music and structure of music are perceived through our body [13].…”

Section: Embodied Cognition and Musicmentioning

confidence: 99%

Music perception as embodied cognition: behavioral evidence of auditory cue effect

Yi¹,

Jeong²,

Cho³

2014

ces

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In this study, embodied effects of music perception were investigated and tested. Throughout the history of music cognition, recent emerging of embodied music cognition has showed significant implications. We had focused on the effect of music perception to changes in behavior matter, based on embodied cognitive perspectives. According to the experiments, significant and marginally significant results supported that there is certain effect of music on human involuntary behavior, especially pitch of the music. Also limitations, possible future studies and potential cause of the results were discussed.

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User-oriented studies in embodied music cognition research

Cited by 16 publications

References 46 publications

Primate Drum Kit: A System for Studying Acoustic Pattern Production by Non-Human Primates Using Acceleration and Strain Sensors

Primate Drum Kit: A System for Studying Acoustic Pattern Production by Non-Human Primates Using Acceleration and Strain Sensors

The Music Paint Machine: Stimulating Self-monitoring Through the Generation of Creative Visual Output Using a Technology-enhanced Learning Tool

Music perception as embodied cognition: behavioral evidence of auditory cue effect

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