El problema de los conversos y la novela sentimental

Langbehn, Regula Rohland de

doi:10.1080/14753820.1989.11434973

Bulletin of Hispanic Studies

1989

DOI: 10.1080/14753820.1989.11434973

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El problema de los conversos y la novela sentimental

Regula Rohland de Langbehn

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Towards a Positive Image of the Jew in the Comedia

Herskovits¹

2005

boc

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The image of the Jew in the comedia has been considered negative because Golden-Age dramatists were understood to be serious in propagating anti-Jewishness, which was part of the ruling ideology. This point of view does not recognize the irony in many anti-Jewish scenes; the presence of irony suggests that these dramatists did not share the official anti-Jewishness, and that they may have been using dissimulation: overtly reproducing official policy while, covertly, to protect themselves, subverting it. It is not surprising that these apparently anti-Jewish scenes are ironic, after all, these dramatists lived in an authoritarian society that turned life into theatre, and they belonged to a converso -humanist intellectual tradition of dissimulation. These two factors influenced their dramatic techniques, which may be described as double language. The above considerations indicate that the image of the Jew in the comedia is ironic and capable of a more positive interpretation than previously thought.

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Towards a Positive Image of the Jew in the Comedia

Herskovits¹

2005

boc

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Diego de San Pedro y el descontento en la corte de los Reyes Católicos. Una lectura de Cárcel de amor

León

2008

Bulletin of Hispanic Studies

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El problema de los conversos y la novela sentimental

Cited by 2 publications

References 1 publication

Towards a Positive Image of the Jew in the Comedia

Towards a Positive Image of the Jew in the Comedia

Diego de San Pedro y el descontento en la corte de los Reyes Católicos. Una lectura de Cárcel de amor

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