2013
DOI: 10.1121/1.4812447
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Effect of spectral overlap on the echo suppression threshold for single reflection conditions

Abstract: In performing arts venues, the spectra of direct and reflected sound at a receiving location differ, due to seat dip effect, diffusive and absorptive surfaces, and source directivity. This paper examines the influence of differing lead and lag spectral contents on echo suppression threshold. The results indicate, that for a highpass filtered direct sound and a broadband reflection, attenuation of low frequencies initially results in an increase in echo suppression threshold, while for higher cutoff frequencies… Show more

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Cited by 5 publications
(4 citation statements)
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“…However, for reflections differing in magnitude spectrum and phase spectrum, the suppression was found to be generally weaker compared to a specular reflection, e.g. [8][9][10].…”
Section: Echo Suppression For Non-specular Reflectionsmentioning
confidence: 99%
See 1 more Smart Citation
“…However, for reflections differing in magnitude spectrum and phase spectrum, the suppression was found to be generally weaker compared to a specular reflection, e.g. [8][9][10].…”
Section: Echo Suppression For Non-specular Reflectionsmentioning
confidence: 99%
“…Figure 9. Fitting parameters for specular and diffuse masked levels of conditions A (10,20,30) are calculated using Equation (7 . This yields a coefficient of determination R 2 = 0.99 with mean masked thresholds.…”
Section: Masked Thresholdmentioning
confidence: 99%
“…This depends on many factors, including the delay of the reflection, its direction, the signal type, its spectrum and its sound level, or the environment. Their influence has been addressed in several studies [30][31][32][33][34][35][36][37]. A practical "rule of thumb" has been proposed [35], such that early reflections will be inaudible if their levels are less than −22 dB relative to the direct sound for a 3 ms delay, lowered to −31 dB for 15 ms to 30 ms, and that a modest amount of reverberation added in the stimuli increases the thresholds by up to 11 dB.…”
Section: Introductionmentioning
confidence: 99%
“…Davies et al (1996) obtained a threshold of audibility for the seat-dip attenuation to be Ϫ5.7 dB in the 200 Hz octave band of the early energy over 0 to 40 ms. Although the seat-dip effect is generally considered to hamper the perception of bass, recent psychoacoustic research suggests that if the early reflections retain the bass, the lack of bass in the direct sound may actually enhance the overall perception of bass (Walther, Robinson, & Santala, 2013).…”
mentioning
confidence: 99%