The Cambridge Companion to Ezra Pound 1999
DOI: 10.1017/ccol0521431174.003
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Early poetry 1908-1920

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Cited by 8 publications
(9 citation statements)
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“…57 The attempt to use language so transparently that it is no longer a veil of mediation speaks to the Image's "quasi-mystical significance." 58 Although they proceed differently, both mystic writers and Imagist poets aim to wield language so it somehow enacts or embodies experience and allows the reader access to it. 59 In such endeavors, the artist or mystic becomes the mediator between the reader and whatever experiences the writing attempts to present.…”
Section: The Divine Image(d)mentioning
confidence: 99%
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“…57 The attempt to use language so transparently that it is no longer a veil of mediation speaks to the Image's "quasi-mystical significance." 58 Although they proceed differently, both mystic writers and Imagist poets aim to wield language so it somehow enacts or embodies experience and allows the reader access to it. 59 In such endeavors, the artist or mystic becomes the mediator between the reader and whatever experiences the writing attempts to present.…”
Section: The Divine Image(d)mentioning
confidence: 99%
“…57 Ioldana's sword, invested with a "strange savage life of its own," simultaneously represents the fluid, potent power of ancient Ireland and the advent of the new god. The likening of divine advent to the slashing of a sword alludes to Jesus' words, "I come not to bring peace, but a sword," 58 an enigmatic statement for one who also identified himself as a peacemaker. The sword, however, indicates that he will be a divisive 57 ---, "The Triumph of Maeve."…”
Section: The Sword Of Pity and Peacementioning
confidence: 99%
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