Doksa, Kekerasan Simbolik Dan Habitus Yang Ditumpangi Dalam Konstruksi Kebudayaan Di Dewan Kesenian Jakarta

Zurmailis, Zurmailis; Faruk, Faruk

doi:10.14421/ajbs.2017.01103

Cited by 7 publications

(6 citation statements)

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“…This arena comprises elders and audiences who act as the community guardians of cultural values. Zurmailis and Faruk (2018) study the Doxa generated by the Jakarta Arts Council (DKJ) and its role as an institution exercising legitimacy to build cultural construction. They use Bourdieu's genetic structuralism as constructivist structuralism, the habitus and perspective put on the Jakarta Arts Council, which doxa and standards for cultural acts have established through symbolic violence against the participating agents.…”

Section: Review Of Literaturementioning

confidence: 99%

Cultural Reproduction of Merti Kali Code in Vernacular Art in Brontokusuman, Yogyakarta City, Indonesia

Naredia,

Sunesti,

Zunariyah

et al. 2024

ISVS

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Merti Kali Code traditional art based-movement around the Code River in Brontokusuman area of Yogyakarta is a cultural product as well as an inspiration to preserve the river clean and beneficial to the surrounding area. In fact, it acknowledges the importance and value of water for human life. However, within this practice, there are also intriguing political and social facets. An examination of cultural reproduction practiced there, helps in understanding the art arena as a struggle between agents for position and legitimacy, each varying in capital accumulation and habitus. This study examines these complexities.The study employed an exploratory qualitative technique using a single case study to critically examine the actors behind the Merti Kali Code art. These included the Government of Kelurahan Brontokusuman, Dewa Bronto Tourism-Consious Group artists, visitors, and supporting community. It employed observation, indepth interview, and documentation as techniques of collecting data It reveals that Merti Kali Code art is being reproduced culturally in Brontokusuman to promote the village identity as Dewa Bronto Tourist Village. Merti Tumpeng Robyong, Kirab Budaya, and Kenduri Agung art forms all exhibit cultural reproduction. Cultural reproduction manifests itself through art alteration and evolution as part of cultural attraction presentation. Kelurahan Brontokusuman government, Dewa Bronto tourism-conscious organization, artists, visitors, and citizens all participate in the cultural reproduction of Merti Kali Code art in Brontokusuman as actors. Habitus provides players with symbolic, cultural knowledge of potential as well as social, and economic capital.

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Section: Review Of Literaturementioning

confidence: 99%

Cultural Reproduction of Merti Kali Code in Vernacular Art in Brontokusuman, Yogyakarta City, Indonesia

Naredia,

Sunesti,

Zunariyah

et al. 2024

ISVS

View full text Add to dashboard Cite

show abstract

“…Although it is clear that human facts are a direct result of human action and may be very precisely defined, we will shortly analyze the nature of this subject. To establish a better balance between himself (as subject) and the world, man changes the environment around him [9].…”

Section: Literature Reviewmentioning

confidence: 99%

Shakespeare’s Worldview Reflected in His Drama the Tragedy of Hamlet, Prince of Denmark: Genetic Structuralism

Santosa¹

2023

Advances in Social Science, Education and Humanities Research

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Literary work is a product of humanity. It means it reflects humanity in all circumstances. As a product of humanity, literary work constantly changes based on the phenomenon, important events in certain period of era, and the author's mood. The author cannot be separated from the work because he or she expresses the thought in literary work. The author is also an individual who cannot be free from his own life. As a member of a society, an author is influenced by communities. It shows that the author is one of the society unit. The author's work then is influenced by the society, and his social surroundings also gain knowledge.The experience and values of the author as part of his social influence his works, and this can appear through the character he creates. Even though the character he creates just imaginary character, the character's thought, attitude, and moral seems like in real life. This is the reason why literary woks relate to real life. Warren and Wallek agree that literary works can serve as accurate approximations of reality. "Literature is a social institution that uses a social invention as its medium language. In addition, literature "represents life," and "life" is primarily a social reality, even though literary imitations of the individual's natural world and inner or subjective world have also been made.

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“…Sosok Yus Wiradiredja dipandang sebagai agen yang terbentuk atas hasil dari pengaruh lingkungan. Praktik-praktik sosial yang diproduksi melalui habitus sebagai strategi, melahirkan prinsip yang membuat agen mampu untuk menanggapi sesuatu yang tidak kelihatan (unforseen) dan situasi yang berubah (Zurmailis;Faruk,2017). Struktur-struktur yang ada dalam masyarakat diinternalisasi oleh aktoraktor sosial sehingga berfungsi secara efektif.…”

Section: Pendahuluanunclassified

Korelasi Praktik Sosial Pierre Bourdieu Dalam Karier Kesenimanan Yus Wiradiredja

Ramdani

Heriyawati

Herdini

2022

Gondang

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Moh. Yusuf Wiradiredja atau lebih populer dengan sebutan nama Yus Wiradiredja, dikenal sebagai salah satu penembang tembang sunda cianjuran populer pada masanya. Kajian ini menganalisis keterkaitan habitus, modal dan arena yang mendukung pada karier kesenimanan Yus Wiradiredja. Yus dipandang sebagai agen hasil internalisasi atas proses interaksi dengan lingkungannya. Kajian ini menggunakan teori praktik sosial Pierre Bourdieu yang meliputi tiga konsep, yaitu: habitus, modal dan arena. Metode sejarah yang terdiri dari tahapan heuristik, kritik, interpretasi dan historiografi, dipilih sebagai metode dalam penelitian ini. Hasil penelitian ini menjelaskan bahwa adanya korelasi habitus, modal dan arena sangat mendukung pada pencapaian kuasa simbolik seorang agen, hal tersebut terlihat pada perjalanan karier kesenimanan Yus Wiradiredja dalam karawitan Sunda. Pengajaran terhadap seni tradisi sejak usia dini melalui kegiatan panglawungan, dipandang sebagai salah satu bentuk habitus. Modal budaya yang dimiliki atas hasil turunan dari keluarga salah satunya adalah memiliki kepekaan terhadap musikal. Gabungan antara habitus dan modal tersebut memberi arti bagi Yus Wiradiredja dalam melakukan kontestasi dalam suatu arena. Arena yang dimaksud seperti pasanggiri dan proses kreatif, baik dengan beberapa maestro karawitan juga dengan kelompok musik yang dibentuknya. Kata Kunci: Yus Wiradiredja, Tembang Sunda Cianjuran, Praktik Sosial.

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Doksa, Kekerasan Simbolik Dan Habitus Yang Ditumpangi Dalam Konstruksi Kebudayaan Di Dewan Kesenian Jakarta

Cited by 7 publications

References 0 publications

Cultural Reproduction of Merti Kali Code in Vernacular Art in Brontokusuman, Yogyakarta City, Indonesia

Cultural Reproduction of Merti Kali Code in Vernacular Art in Brontokusuman, Yogyakarta City, Indonesia

Shakespeare’s Worldview Reflected in His Drama the Tragedy of Hamlet, Prince of Denmark: Genetic Structuralism

Korelasi Praktik Sosial Pierre Bourdieu Dalam Karier Kesenimanan Yus Wiradiredja

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