Collective Emotions 2014
DOI: 10.1093/acprof:oso/9780199659180.003.0007
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Do we mimic what we see or what we know?

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Cited by 49 publications
(35 citation statements)
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“…As may be inferred from the above review on the different theories and functions of mimicry, there is not one path way leading to emotional mimicry, but several, and they do not necessarily exclude each other, but occur in different settings Hess, Houde, & Fischer, 2014). The most primitive and implicit pathway is via embodiment, as a subtle mimicry response to a similar other.…”
Section: Conclusion: Emotional Mimicry and Synchrony In Groupsmentioning
confidence: 99%
“…As may be inferred from the above review on the different theories and functions of mimicry, there is not one path way leading to emotional mimicry, but several, and they do not necessarily exclude each other, but occur in different settings Hess, Houde, & Fischer, 2014). The most primitive and implicit pathway is via embodiment, as a subtle mimicry response to a similar other.…”
Section: Conclusion: Emotional Mimicry and Synchrony In Groupsmentioning
confidence: 99%
“…Ritualistic joint actions of this kind are also paradigmatic examples of collective effervescence in which shared emotions intensify and spread among the co-agents through extensive behavioral synchrony and entrainment. Finally, the stability of the co-agents and their shared social identity are important for emotional mimicry and contagion as we mimic the facial, vocal, and postural expressions of emotion more with those with whom we share group membership than with out-group members or, even less so, our enemies (Hess et al 2014). Here we can surmise that group membership founded on a collective commitment associates with more robust affective synchrony than group membership based on merely private affiliation.…”
Section: Shared Emotions and The Phenomenology Of Joint Actionmentioning
confidence: 99%
“…A notable exception by Halberstadt and colleagues [ 19 ] shows how emotional expressions when viewing ambiguous faces (composed from a morph of smiling and anger stills) are determined by associating the ambiguous face with terms such as “happy”. More recent work has also demonstrated that mere association of a neutral face with an emotional term can result in mimicry of that emotion, even though the face shows no indication of this [ 20 ]. Traditionally however, and certainly in terms of these aforementioned studies, smiles are indicative of positive emotions, and frowns of negative emotions, therefore resulting in a consistent mimicry response.…”
Section: Introductionmentioning
confidence: 99%