2020
DOI: 10.1007/s11186-020-09384-3
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Disruption and the theory of the interaction order

Abstract: Micro-sociological theory has traditionally stressed interactional pressures towards alignment: actors' attempts to co-construct a shared definition of the situation. We argue that this model provides an insufficient account of the coordination of action and of the emergence of intersubjectivity among actors. To complement the focus on alignment, we develop a theory of disruption-a perceived misalignment of the dramaturgical structure of interaction in coordinating expected lines of action. We develop a theory… Show more

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Cited by 62 publications
(84 citation statements)
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References 55 publications
(47 reference statements)
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“…In contrast, Tavory and Fine (2020) highlight the role of disruption in the production of intersubjectivity, joint action, and the interaction order. More fateful than “nominal disagreements,” disruptions break the “dramatic structure” of interaction, violating “the shared rhythms and underlying rules” (Tavory and Fine 2020:369). Dramatic disruptions can lead to “relational ruptures” that threaten “the ongoing relationship within which the interaction occurs” (Tavory and Fine 2020:374).…”
Section: Theoretical Frameworkmentioning
confidence: 99%
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“…In contrast, Tavory and Fine (2020) highlight the role of disruption in the production of intersubjectivity, joint action, and the interaction order. More fateful than “nominal disagreements,” disruptions break the “dramatic structure” of interaction, violating “the shared rhythms and underlying rules” (Tavory and Fine 2020:369). Dramatic disruptions can lead to “relational ruptures” that threaten “the ongoing relationship within which the interaction occurs” (Tavory and Fine 2020:374).…”
Section: Theoretical Frameworkmentioning
confidence: 99%
“…Attending to the rhythms of interaction reveals another bias in micro‐sociological theory: the tendency toward interactional smoothness (Tavory and Fine 2020). The interactionist literature is replete with references to actors attempting to “preserve the smooth flow of interaction,” documenting examples of the dramaturgical moves we make to ignore or repair a variety of breaches in interaction and maintain a “veneer of consensus” (Goffman 1959:9; 1963).…”
Section: Theoretical Frameworkmentioning
confidence: 99%
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