Disrupsi dalam Musik

Abstract

Disrupsi identik dengan keadaan khaos bagi manusia akibat perkembangan teknologi; utamanya gagasan mesin menggantikan manusia. Musik yang merupakan bagian dari kehidupan manusia tidak luput dari khaos yang dihasilkan oleh disrupsi. Karena keadaan khaos itu tidak mengherankan bila banyak orang menduga bahwa disrupsi tidak mungkin memiliki kerangka pikir yang jelas. Tulisan ini, dengan mengadaptasi pemikiran di dalam ilmu teknik berhasil memformulasikan sebuah metodologi untuk memahami disrupsi di dalam musik. Metodologi itu memiliki tiga aspek di dalamnya, yaitu aspek horizontal yang berbicara mengenai percampuran genre musik dengan genre seni lainnya, aspek vertikal yang berbicara mengenai percampuran di dalam genre musik, dan aspek aksiologis yang berbicara mengenai hubungan musik dengan bidang-bidang lain yang bersifat non-musik. Metodologi disrupsi di dalam musik memperlihatkan bahwa disrupsi bukan masalah yang besar; disrupsi merupakan sesuatu yang melekat di dalam musik. Disrupsi adalah sesuatu yang hakiki di dalam musik. Ia tidak mengancam musik, tetapi merupakan sebuah situasi yang memperkaya musik dalam hubungannya dengan dirinya sendiri dan bidang-bidang lain yang bersifat seni maupun non-seni.Disruption in Music. Disruption is identical to chaotic state which is disrupted by the advance of technology especially with its notion of machine replaces men in work. It is said that music as part of men’s life are not immune from those chaotic states. Because of its seemingly chaotic state, it is not surprising that no one thought of disruption as having a clear methodology. By adopting a methodology of technical engeneering, this paper has succeded in forming a methodology which is able to explain musical disruption. This methodology has three aspects, i.e.: horizontal aspect which is about the mixing of musical genre with other art genres; vertical aspect which is about the the mixing of subgenres in musical genre; and axiological aspect which is about the interaction between music and non-music disciplines. The method of disruption in music shows that disruption is not a big problem; disruption is something inherent in music. Disruption is something essential in music. It does not pose a real threat to music; it is a condition which enriches the music in its relations to itself, other arts and non-music disciplines.Keywords: music disruption; liberal arts

Merchandise and Memorabilia: Between Art Products, Self-Image, and Musicians Existence

“…With the basic word being viewed as negative, it is not surprising that people who are not prepared at this time perceive disruption as a negative situation. Situations that are seen as negative, for example the loss of employment due to technological advances [2].…”

The Transformation of Hymn Song in Local Church: a Study of Musical Style in Manado

“…In the disruptive era, Harwibowo [1] mentioned that music also experiences this condition due to many things, one of which is the merging of genres into subgenres. Local reformed churches are confronting with progressive changes in the worship system.…”