Discursive Constructions of Gender in Migration Films in Turkish Cinema After 1990’s

KANLI, İzlem; Agocuk, Pelin

doi:10.7456/10803100/007

TOJDAC

2018

DOI: 10.7456/10803100/007

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Discursive Constructions of Gender in Migration Films in Turkish Cinema After 1990’s

İzlem KANLI¹,

Pelin Agocuk²

Abstract: Bu araştırma 1990 sonrası Türk sinemasında yer alan dış göç filmlerindeki temsillerde toplumsal cinsiyetin nasıl yansıtıldığını incelemektedir. Araştırmanın amacı, dış göçün kimlikler üzerinde oluşturduğu değişim ve dönüşümleri toplumsal cinsiyet bakış açısıyla ele almaktır. Bu çerçevede araştırmada, göç olgusu toplumsal cinsiyeti dönüştürmekte midir veya nasıl dönüştürmektedir sorusunun cevabı açıklanmaya çalışılmıştır. Göç olgusuyla yaşanan ulusal kimlikteki kırılmalar, kültürel dönüşümler ve kimlik sorunla… Show more

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2021

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Reflections of Orientalism and Modernism in the Film Hamam by Ferzan Özpetek

Pembecioğlu

Çomak

2021

Advances in Media, Entertainment, and the Arts

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Having the visual and linguistic text of the film Hamam as the main data, the chapter discusses how the values are attributed to the images of orientalism and modernism and how these attributions affect the meaning, value, and consumption of the messages. Not only the cultural codes as Barthes mentioned were deciphered through the qualitative and descriptive methodology mainly following the discourse analysis, but also the chapter relies upon the data analysis making use of the 12T's approach inspired by Stoller and Grabe's Six-T's Approach for Content-Based Instruction. In this research, each T refers to a different perspective that controls the quality of the sample questioned and helps to establish consistency, cohesion, and coherence of the text. These T's put forward how the reflections of orientalism and modernism were scattered in the film Hamam and how Western images vs. Orientalism were put in a complementary and counteracting way helps to shape the new identities.

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Reflections of Orientalism and Modernism in the Film Hamam by Ferzan Özpetek

Pembecioğlu

Çomak

2021

Advances in Media, Entertainment, and the Arts

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show abstract

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Discursive Constructions of Gender in Migration Films in Turkish Cinema After 1990’s

Cited by 1 publication

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Reflections of Orientalism and Modernism in the Film Hamam by Ferzan Özpetek

Reflections of Orientalism and Modernism in the Film Hamam by Ferzan Özpetek

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