“…Previous work has focused on identifying potential uses for digital forensic tools in cultural heritage settings (Garfinkel & Cox, 2009; John, 2009) and grounding digital forensics in contemporary archival theory and best practices (Duranti, 2009; Duranti & Endicott‐Popovsky, 2010; Woods, Lee, & Garfinkel, 2011). Additionally, several grant‐funded projects have focused on or incorporated digital forensics into their research objectives: the British Library's Digital Lives Research Project, for example, identifies digital forensic capture of disk information as a way of ensuring the authenticity of data (John et al, 2009, p.l26); a conference funded by the Council on Library and Information Resources produced Digital Forensics and Born‐Digital Content in Cultural Heritage Collections, a report that directly considered the challenges that born‐digital content poses to collecting institutions (Kirschenbaum, 2010); and recently the AIMS project has developed an inter‐institutional model for stewardship of born digital collections, using and standardizing institutional models of digital forensic capture, stabilization, and provision of access (AIMS Project Group, 2012).…”