The book starts from a methodological separation of analyses of phonetic substance and anal yses of abstract linguistic form. Rhythm is described as syllable rhythm (based on the distinc tion between full and reduced vowels and on lexical word stress) or accent rhythm (based on intonation nuclei). It is suggested that syllable rhythm contributes to the typo logical differ ence between English on the one hand and, for example, French and German on the other. Syllable rhythm and accent rhythm interact to establish rhythmical prominence patterns (peaks and valleys) that can be observed in concrete samples of speech, readings or recitals. Rhythmic patterns are usually local effects of spoken presentation in a concrete com muni cation situation, which are found in speech and readings of prose and poetry. Rhythmic pat terns can instantiate abstract metres like iambic feet. A writer of prose or poetry may choose wordings according to a pragmatic principle of rhythmic arrangement with the aim of sug gesting to a reader/reciter a rhythmical presentation. The proposed model offers a tool for evaluating rhythmic performances of reading aloud and reciting and for analysing the rhyth mic possibilities of prose and poetry.The book is structured into the following chapters: 1 The nature and meanings of rhythm, 2 Critical evaluation of rhythm-related concepts, 3 Levels of abstraction, 4 A linguistic defi nition of rhythm, 5 Types of rhythm, 6 Rhythm in textual rhetoric, 7 Rhythm in oral presen tation, 8 Conclusions.
Beger, Anke. 2011. Anger, Love and Sadness revisited: studying emotion metaphors in authentic discourse between experts and laypersons.This Master thesis in the field of cognitive semantics is an application of the Cognitive Meta phor Theory (Lakoff and Johnson 1980;Lakoff 1993) to authentic discourse data in the do main of emotion metaphors. Its aims are twofold. First