Die globale Dichtung des Orlando Furioso

Abstract

The epic poem of Ludovico Ariosto, Orlando Furioso (1516–1532), one of the most influential texts of Renaissance writing, shows not only a precise cognition of early modern cartographic knowledge, as Alexandre Doroszlaï has illustrated it in Ptolemée et l’hippogriffe (1998), but also performs a complex transmedial translation of cartographic depictions. The journeys around the globe of the Christian paladins Ruggiero and Astolfo narrated by Ariosto are, in fact, performative negotiations between literary and cartographic processes. Riding the Hippograph, the hybrid vehicle par excellence, Ruggiero and Astolfo fly over the Earth as if they were flying over a map. Their journeys do not merely transmedially translate the course to the West pursued by Early Modern Europe. Rather, by translating the map Ariosto performs a new geopoetics that turns away from the symbolic dominance of the East (or “Ent-Ostung”, as Peter Sloterdijk has usefully called it) and offers us one of the first poetic versions of modern globalization.

El Reino de Loango: fuentes cartográficas y textuales en Semprilis y Genorodano (1629)

“…9 «Kartographisches Schreiben» Dünne (2011, 61-66). En diversos trabajos complementarios escritos en inglés y en alemán, Italiano (2012Italiano ( , 2015Italiano ( , 2016 propone el mismo análisis para el Orlando Furioso.…”