2000
DOI: 10.2307/2567685
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Development Arrested: The Blues and Plantation Power in the Mississippi Delta.

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(3 citation statements)
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“…In response to cultural arguments generated in the first wave, scholars also spent ample time producing scholarship to correct the myth of the dysfunctional Black family by elucidating not only how structural inequality has shaped the structure of Black families but how Black families have survived in spite of institutionalized oppression (Billingsley, 1968;Gutman, 1976;Hill, 1999;McAdoo, 1981;Staples, 1971;Willie & Reddick, 2010). For example, in one of the most important second wave edited texts, Black Families, McAdoo (1981) explained the following:…”
Section: Periodizing Research On Black Familiesmentioning
confidence: 99%
“…In response to cultural arguments generated in the first wave, scholars also spent ample time producing scholarship to correct the myth of the dysfunctional Black family by elucidating not only how structural inequality has shaped the structure of Black families but how Black families have survived in spite of institutionalized oppression (Billingsley, 1968;Gutman, 1976;Hill, 1999;McAdoo, 1981;Staples, 1971;Willie & Reddick, 2010). For example, in one of the most important second wave edited texts, Black Families, McAdoo (1981) explained the following:…”
Section: Periodizing Research On Black Familiesmentioning
confidence: 99%
“…Historically, blues writing has stood out for its detailed accuracy, collective and exhaustive genre appreciation and a combination of musical commentary with interest in the life stories of blues people. These three points describe a general, widespread approach shared by "professional" and "amateur" blues enthusiasts, which may be rooted directly or indirectly in the inspiration drawn from legendary figures like Alan Lomax (1993) and Paul Oliver (1960), influential blues magazines (such as Blues Unlimited and Living Blues) and music literature where biographies, histories and attention to certain territories prevail (Herzhaft 2003;Keil 1991;Palmer 1982).…”
Section: Studying Alternative Journalism In Madrid's Blues Scenementioning
confidence: 99%
“…For example, I came across a cover version of "A Change is Gonna Come," by Al Green. After listening to "Crossroads Road Blues" by Robert Johnson, I found a comment online that suggested I read the book Deep Blues by Robert Palmer (1981), which is a history of blues music. Let the Music Play!…”
mentioning
confidence: 99%