German football stadiums are well known for their atmosphere. It is often described as 'electrifying,' or 'cracking.' This article focuses on this atmosphere. Using a phenomenological approach, it explores how this emotionality can be understood and how geography matters while attending a match. Atmosphere in this context is conceptualized based on work by as a mood-charged space, neither object-nor subject-centered, but rather a medium of perception which cannot not exist. Based on qualitative research done in the home stadium of Hertha BSC in the German Bundesliga, this article shows that the bodily sensations experienced by spectators during a visit to the stadium are synchronized with events on the pitch and with the more or less imposing scenery. The analysis of in situ diaries reveals that spectators experience a comprehensive sense of collectivity. The study presents evidence that the occurrence of these bodily sensations is strongly connected with different aspects of spatiality. This includes sensations of constriction and expansion within the body, an awareness of one's location within the stadium, the influence of the immediate surroundings and cognitive here/ there and inside/outside distinctions. Atmosphère au stade de Hertha BSC (Bundesliga allemande): mélodies d'atmosphères, corps collectifs et pertinence de l'espace ABSTRAIT Les stades de foot allemands sont bien connus pour leur atmosphère. Elle est souvent décrite comme « électrique » ou « géniale ». Cet article se concentre sur cette atmosphère. Utilisant une approche phénoménologique, il explore comment cette affectivité peut être comprise et comment la géographie a son importance quand on est à un match. L'atmosphère dans ce contexte est conceptualisée à partir des travaux de Gemot Böhme, comme un espace chargé d'atmosphère, ni centré sur le sujet, ni centré sur l'objet, mais plutôt comme un moyen de perception qui ne peut pas exister. A partir de recherche ARTICLE HISTORY