2015 IEEE Global Conference on Signal and Information Processing (GlobalSIP) 2015
DOI: 10.1109/globalsip.2015.7418300
|View full text |Cite
|
Sign up to set email alerts
|

Delay-less frequency domain packet-loss concealment for tonal audio signals

Abstract: A delay-less packet-loss concealment (PLC) method for stationary tonal signals is presented, that addresses audio codecs utilizing a modified discrete cosine transformation (MDCT). In the case of a frame loss, tonal components are detected using the last two received spectra and their accompanied pitch information. Phases of the tonal components are subsequently predicted, aiming for a continuous phase evolution between successive frames. Thus, accurate estimates of tonal components are achieved for stationary… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1

Citation Types

0
2
0

Year Published

2016
2016
2024
2024

Publication Types

Select...
2
1

Relationship

0
3

Authors

Journals

citations
Cited by 3 publications
(2 citation statements)
references
References 13 publications
0
2
0
Order By: Relevance
“…The signals provided in the audio gaps in the DNN structure were time-frequency coefficients (either complex-values or magnitude). In the work of Sperschneider et al [7], the authors presented a delay-less packet-loss concealment (PLC) method for stationary tonal signals, which addresses audio codecs that utilizes a modified discrete cosine transformation (MDCT). In the case of a frame loss, tonal components are identified using the last two obtained spectra and their pitch information.…”
Section: Related Workmentioning
confidence: 99%
“…The signals provided in the audio gaps in the DNN structure were time-frequency coefficients (either complex-values or magnitude). In the work of Sperschneider et al [7], the authors presented a delay-less packet-loss concealment (PLC) method for stationary tonal signals, which addresses audio codecs that utilizes a modified discrete cosine transformation (MDCT). In the case of a frame loss, tonal components are identified using the last two obtained spectra and their pitch information.…”
Section: Related Workmentioning
confidence: 99%
“…There is for example a specific transition mode that codes speech and audio onsets so that individual lost frames do not adversely affect audio quality [8]. For tonal music and stable speech vowels there are separate coding modes that handle these type of stable segments very well in case of frame loss [9]. Global gains are used independently from the previous frames in order to reduce error propagation [10].…”
Section: Introduction To Evsmentioning
confidence: 99%