2015
DOI: 10.1177/1059601115574945
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Defining Creative Ideas

Abstract: Organizational creativity research has focused extensively on distinguishing creativity from routine, non-creative work. In this conceptual article, we examine the less considered issue of variation in the type of creative ideas. Starting from the premise that creativity occurs along a continuum that can range from incremental to radical, we propose that unpacking variation in the mix of novelty and two common conceptions of usefulness-feasibility and value-results in seven meaningfully different types of crea… Show more

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Cited by 55 publications
(31 citation statements)
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References 73 publications
(197 reference statements)
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“…In fact, radical ideas can sometimes be impractical and are notorious for being short-lived or unsustainable. Thus, in practice, organizations often have to favor ideas that, although not breakthroughs, are good enough to stay alive (i.e., incremental creativity; Litchfield et al, 2015). If it is true that open employees are better at radical creativity than incremental creativity, a question that arises for management practice is how to best motivate open employees to display incremental creativity.…”
Section: The Effects Of Openness On Incremental and Radical Creativitymentioning
confidence: 99%
“…In fact, radical ideas can sometimes be impractical and are notorious for being short-lived or unsustainable. Thus, in practice, organizations often have to favor ideas that, although not breakthroughs, are good enough to stay alive (i.e., incremental creativity; Litchfield et al, 2015). If it is true that open employees are better at radical creativity than incremental creativity, a question that arises for management practice is how to best motivate open employees to display incremental creativity.…”
Section: The Effects Of Openness On Incremental and Radical Creativitymentioning
confidence: 99%
“…Creativity is therefore seen as a crucial factor of successful negotiation (for a review, see Wilson and Thompson, 2014). Creativity is broadly defined as the generation of ideas that are both novel and useful (Amabile, 1996; Litchfield et al , 2015). Creative idea generation is increased by using four guidelines: no criticism of own or other people’s ideas, acceptance of uncommon or strange ideas, encouragement to generate numerous ideas and doing so by connecting and building upon each other’s ideas (Osborn, 1957).…”
Section: The Moderating Role Of Creativitymentioning
confidence: 99%
“…Besides illuminating the question of how tie strength influences micro-level instances of knowledge sharing in conversations, we also investigate the role of idea novelty and feasibility. Both novelty and feasibility have long been identified as core aspects of creative ideas (Litchfield et al, 2015). However, how these aspects shape the micro-foundations of knowledge sharing and conversations has not been discussed to date in this literature.…”
Section: Knowledge Sharing In Idea Conversationsmentioning
confidence: 99%