Das Wiener Klavier bis 1850 : Bericht des Symposiums "Das Wiener Klavier bis 1850" veranstaltet von der Sammlung alter Musikinstrumente des Kunsthistorischen Museums Wien

Darmstädter, Beatrix; Huber, Alfons; Hopfner, Rudolf

doi:10.26530/oapen_437162

Cited by 2 publications

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“…The dissertation was written to demonstrate how the ‘sound’ that Schubert required from his piano pieces is softer than we assume from our modern point of view because of the key transmission of the type of piano he likely played on. The instrument most likely had a Wienermechanik (Viennese action) and consisted of the following arrangements 18 :…”

Section: State Of the Artmentioning

confidence: 99%

On best acoustical parameters’ values for ‘Liederistic’ music performance: A preliminary study

Domenighini

2021

Building Acoustics

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‘Liederistic’ music is a musical genre on which architectural acoustical research is rarely focused. Despite this lack of scholarship, however, this genre represents one of the most interesting challenges for acoustical problem solving. In fact, it combines speech and music comprehension requirements in a fascinating manner to illuminate elements of both the magnification of the musical score and the hidden tension of a sung poetry text. To individualise the main characteristics of this genre, a multidisciplinary approach is taken, starting from a musical point of view. A knowledge and comprehension of music is a fundamental step to determine the parameters that allow for the best performance and listening experience of this particular music. Consequently, an introduction to the physics and acoustical characteristics of the singing voice and the piano is given, specifically highlighting the technological development of the piano since the 18th century. Through a combination of historical, architectural, and interior design research, a possible location of the original performance is recreated to investigate the probable primal acoustic conditions using computational analysis. Various contemporary chamber music halls were then considered and compared to the reconstructed location to investigate whether actual places exist with similar acoustic conditions.

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Section: State Of the Artmentioning

confidence: 99%

On best acoustical parameters’ values for ‘Liederistic’ music performance: A preliminary study

Domenighini

2021

Building Acoustics

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“…The third project on which I would like to draw for this essay included another use of modern technology: in this case some very detailed CT-scan measurements of the cornetts in the Sammlung Alter Musikinstrumente at the Kunsthistorischen Museum in Vienna. 44 These extremely precise measurements provided in the new SAM catalogue (2011) provide a level of detail and accuracy that had not previously been available. John McCann was the first maker to take advantage of the data to make accurate copies of the cornetts in the collection, and exhibited a beautiful copy of SAM230 at the Second International Symposium of the Historic Brass Society in New York City, July 2012.…”

Section: Vienna Sammlung Alter Musikinstrumente 230mentioning

confidence: 99%

Bibliography of Writings About Brass Instruments, 2016–2017

Savan¹

2017

HBSJ

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Das Wiener Klavier bis 1850 : Bericht des Symposiums "Das Wiener Klavier bis 1850" veranstaltet von der Sammlung alter Musikinstrumente des Kunsthistorischen Museums Wien

Cited by 2 publications

References 0 publications

On best acoustical parameters’ values for ‘Liederistic’ music performance: A preliminary study

On best acoustical parameters’ values for ‘Liederistic’ music performance: A preliminary study

Bibliography of Writings About Brass Instruments, 2016–2017

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