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Resumen • El Rabinal Achí o Danza del Tun es arte escénico fundacional del teatro latinoamericano y clave para el proceso de desarrollo del teatro occidental del siglo XX, en tanto cifra ese momento en el que rito y teatro se contenían mutuamente, es decir, en que el espectáculo se hacía a los ojos de Dios y de los hombres. La propuesta escénica entonces, difuminaba los límites entre el espacio destinado al espectador y al actor; la fl or y el canto, es decir, la expresión artística, se ampliaba en el tiempo y el espacio invadiendo todas las esferas de lo social; la comunidad vivenciaba la experiencia de revinculación con la divinidad, reestableciendo el cíclico equilibrio cósmico; el espectáculo operaba como catalizador de una experiencia espiritual y el actor, como su facilitador. Palabras clave: teatro, rito, fl or y canto, escena indígena. Abstract • The Rabinal Achí or Dance of the Tun is a founding theatrical play of Latin-American theatre and key for the development process of western theatre during the 20th century; it encodes the moment in which rite and theatre were mutually contained, i.e., in that the spectacle was done for the eyes of God and man. The stage design at the time, blurred the limits between the space destined for the spectator and for the actor; fl ower and song, i.e., the artistic expression, it was extended in time and space invading all the social spheres; the community underwent the experience of reconnecting with divinity, re-establishing the cyclical cosmic balance; the spectacle operated as a catalyst of a spiritual experience and the actor, as its facilitator.
Resumen • El Rabinal Achí o Danza del Tun es arte escénico fundacional del teatro latinoamericano y clave para el proceso de desarrollo del teatro occidental del siglo XX, en tanto cifra ese momento en el que rito y teatro se contenían mutuamente, es decir, en que el espectáculo se hacía a los ojos de Dios y de los hombres. La propuesta escénica entonces, difuminaba los límites entre el espacio destinado al espectador y al actor; la fl or y el canto, es decir, la expresión artística, se ampliaba en el tiempo y el espacio invadiendo todas las esferas de lo social; la comunidad vivenciaba la experiencia de revinculación con la divinidad, reestableciendo el cíclico equilibrio cósmico; el espectáculo operaba como catalizador de una experiencia espiritual y el actor, como su facilitador. Palabras clave: teatro, rito, fl or y canto, escena indígena. Abstract • The Rabinal Achí or Dance of the Tun is a founding theatrical play of Latin-American theatre and key for the development process of western theatre during the 20th century; it encodes the moment in which rite and theatre were mutually contained, i.e., in that the spectacle was done for the eyes of God and man. The stage design at the time, blurred the limits between the space destined for the spectator and for the actor; fl ower and song, i.e., the artistic expression, it was extended in time and space invading all the social spheres; the community underwent the experience of reconnecting with divinity, re-establishing the cyclical cosmic balance; the spectacle operated as a catalyst of a spiritual experience and the actor, as its facilitator.
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