Curating History

Bergdoll, Barry

doi:10.2307/991345

Cited by 3 publications

(2 citation statements)

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“…This deeper, more global history is beyond the purview of this essay. For more on the history of architecture exhibitions, see Bergdoll (1998); Barry Bergdoll's 2013 six-part "Out of Site in Plain View: A History of Exhibiting Architecture Since 1750" Mellon lecture series at the National Gallery of Art (available online: http://www.nga. gov/content/ngaweb/audio-video/mellon.html); Carter (2012); Lambert (1999).…”

Section: Shannon Matternmentioning

confidence: 99%

Animated Spaces

Mattern¹

2014

The Senses and Society

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Recent exhibitions of interaction design have sought, and often struggled, to capture within the space of a traditional gallery the multisensorial, often performative nature of the user experience and the richness of the contexts within which that experience takes place. Similarly, many architecture exhibitions have attempted to reinvent the place of architecture in the modern museum -to portray architecture as a multimodal, multisensory shaper of the material landscape that impacts people's everyday lives. Yet, again, the "white cube" complicates curators' and exhibition designers' efforts to go beyond traditional materials -blueprints, renderings, models, and photographs -to convey the dimensionality and material richness of built space. This article will examine how interaction design and architecture, both experiential fields, present unique challenges

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Section: Shannon Matternmentioning

confidence: 99%

Animated Spaces

Mattern¹

2014

The Senses and Society

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“…One particular concept gaining attention as an effective pedagogical approach to engagement in digital culture is that of curation . Long associated with information holders—specifically librarians and museum curators—who organize media for public display, curation today increasingly rests in the hands of individuals who organize their daily information and communication habits increasingly in mediated spaces with fewer limitations of content or medium (Beagrie, 2008; Bergdoll, 1998). In this context, “the web now mandates curation as a default for users navigating its exponential content.” (Mihailidis and Cohen, 2013).…”

Section: Literature—curation Engagement and Learning In Digital Culmentioning

confidence: 99%

Digital curation and digital literacy: Evaluating the role of curation in developing critical literacies for participation in digital culture

Mihailidis

2015

E-Learning and Digital Media

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Despite the increased role of digital curation tools and platforms in the daily life of social network users, little research has focused on the competencies and dispositions that young people develop to effectively curate content online. This paper details the results of a mixed method study exploring the curation competencies of young people in digital culture. Forty-seven college students from two institutions in the north-eastern United States used the social curation platform Storify to curate essays on the topic of income inequality. Their curated stories were coded to explore for narrative development, consistency, sourcing, analysis, and content type. Regression models were used to assess clarity and balance of the curated stories, and a detailed questionnaire explored dispositions towards curation as a relevant and effective mode for engagement in digital culture. The paper argues that curation can enhance core media analysis and storytelling skills, and an understanding about the role of peer-to-peer platforms and collaborative spaces in digital culture. The results advocate the utilization of student-and creation-driven pedagogies that embrace curation as core digital and media literacy competencies for young people in daily life.

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Exhibir arquitectura en Colombia: una historia en construcción

Parra¹

2020

Bitácora

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<p class="p2">Desde pabellones temporales en exposiciones internacionales, pasando por exhibiciones itinerantes en museos de arte, hasta muestras experimentales en bienales y trienales; exhibir arquitectura es hoy una práctica profesional y un objeto de investigación. No obstante, en este campo creciente, algunas geografías permanecen ausentes, con lo que se ignora las conexiones de dichos eventos arquitectónicos con algunas disciplinas, actores y redes. Por tanto, este artículo recupera un siglo de historia de exposiciones de arquitectura en Bogotá y proporciona un paso inicial para reconocer la exhibición de arquitectura como una pieza fundamental en la historia de la disciplina en Colombia y como un componente vital de la difusión de la cultura arquitectónica en Latinoamérica.<span class="Apple-converted-space"> </span></p>

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Curating History

Cited by 3 publications

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Animated Spaces

Animated Spaces

Digital curation and digital literacy: Evaluating the role of curation in developing critical literacies for participation in digital culture

Exhibir arquitectura en Colombia: una historia en construcción

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