Museum Making: Narratives, Architectures, Exhibitions, published by Routledge in February 2012, is an important contribution to the increasingly growing Museum Meanings series. The editors of this volume, Suzanne Mac Leod-scholar from the University of Leicester-, Laura Hourston Hanks, and Jonathan Hale-of the University of Nottingham, United Kingdom-present both their research interests as well as the richness and diversity of the museum studies as an interdisciplinary academic field. The central theme: the notion of narrative environments, serves to address museological experiences which integrate objects, spaces, stories, and people as part of a process of storytelling that emphasizes the nature, the potential, and the connection that museums have with human perception, imagination, and memory, topics that undergo critical review in this contribution.
<p class="p2">Desde pabellones temporales en exposiciones internacionales, pasando por exhibiciones itinerantes en museos de arte, hasta muestras experimentales en bienales y trienales; exhibir arquitectura es hoy una práctica profesional y un objeto de investigación. No obstante, en este campo creciente, algunas geografías permanecen ausentes, con lo que se ignora las conexiones de dichos eventos arquitectónicos con algunas disciplinas, actores y redes. Por tanto, este artículo recupera un siglo de historia de exposiciones de arquitectura en Bogotá y proporciona un paso inicial para reconocer la exhibición de arquitectura como una pieza fundamental en la historia de la disciplina en Colombia y como un componente vital de la difusión de la cultura arquitectónica en Latinoamérica.<span class="Apple-converted-space"> </span></p>
before joining the Curatorial Research Collective (TU/e) PhD programme. He coordinated the development of the Museum of Memory in Bogotá, assisted several community museums throughout Colombia, and co-founded Museo Q. In addition, he developed the renovation plan for Casa Bermúdez, a Heritage House that is part of MoMA's architecture collection. He has received grants from the Getty Foundation, the Heinrich Böll Foundation, Tate Modern, and the Smithsonian NMAAHC. Recently, his work has appeared in Bitácora Arquitectura (2020),
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