Cüneyd Kosal’ in Mahûr-Hi̇câz Makamindaki̇ Kanun Taksi̇mi̇ni̇n Tekni̇k Açidan Anali̇zi̇ Üzeri̇ne Bi̇r Araştirma

Abstract

Cüneyd Kosal is a musician who has built a bridge between the recent past and the present, and has provided great services in every field of Turkish music as a qanun performer, composer, researcher and even poet. In this study; The qanun improvization in Cüneyd Kosal's Mahûr-Hicâz maqam has been examined in terms of execution techniques. In the collection of data, literature review, document review and archive scanning were made. The improvisation performed by Cüneyd Kosal was notated and written in the computer environment with the Finale 2014 program. First of all, information was given about the decoration techniques he used in his improvization and these techniques were explained on the note and explained separately. In accordance with the analysis of Kosal's improvization in Mahûr-Hicâz maqam, it was concluded that he used the flick technique the most. It has been suggested that Kosal should be taken as an example by law enforcers and educators in order to gain his position and to have a guiding position.