Cultural Approach of Sustainability in Dwellings Culture Riparian Community Musi River Palembang

Wicaksono, Bambang; Siswanto, Ari; Kusdiwanggo, Susilo; Febriati, Anwar Widya Fransiska

doi:10.9744/dimensi.43.2.85-92

Cited by 5 publications

(6 citation statements)

References 5 publications

(1 reference statement)

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“…Research about dwelling of a certain group of people in Indonesia is still very interesting to continue to do cause of the unique of its local values. There is a research which revealed evolution processes of dwelling culture and to compare the traditional spatial forms and the transformed ones, and also to emphasize the former attitude and to propose a sustainable strategy for developing the dwelling type by respecting and adopting the traditional culture and historic apologue (Wicaksono et al, 2016). In the other case, the phenomenon of a dwelling should be a manifestation of the dynamic roles of male and female members of the house and the circular arrangement of the space around the fireplace at the centre of the house follows the dynamic of gender duality.…”

Section: Introductionmentioning

confidence: 99%

“…In the other case, the phenomenon of a dwelling should be a manifestation of the dynamic roles of male and female members of the house and the circular arrangement of the space around the fireplace at the centre of the house follows the dynamic of gender duality. Its fact shows that the phenomenon of a dwelling was unique and full of different values (Nurdiah et al, 2015).…”

Section: Introductionmentioning

confidence: 99%

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The Logic of Bincar-Bonom and Structuralism Analysis on Room Arrangement of Dwelling in Mandailing

Nuraini

Walid

Handayani

2018

dimensi

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The structure on an idea of Singengu ancestor about Datu (Creator) which is gives tondi (spirit/soul) through direction of sun movement has established the logic of Bincar (sunrising direction) and Bonom (sunsetting direction). The logic of Bincar-Bonom with the axis point has been manifests in the form of myths about relationships between Datu (Creator/God), King (Datu’s agent in the world) and the ancestors which also form the structure of abstract space namely Bincar and Bonom. The structure of abstract space namely Bincar-Bonom in the next steps has transformed concretely on architectural phenomena as a place on room arrangement. Bincar-Bonom in the context of structural concept is transformed in to room arrangement phenomenon concretely which has arrange the setting of bedroom for parent in the direction of Bonom and bedroom for son in the direction of Bincar with family room in the midle of it as axis point.

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Section: Introductionmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

The Logic of Bincar-Bonom and Structuralism Analysis on Room Arrangement of Dwelling in Mandailing

Nuraini

Walid

Handayani

2018

dimensi

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“…Therefore, it needs to be refined, generalized, and redesigned [77]. In order to respond to different external impacts, we need to combine diverse cultures, change our living habits, modernize according to climatic factors, and re-create them according to modern pattern design principles [78].…”

Section: Proposals: Artistic Element Extraction and Application Methodsmentioning

confidence: 99%

Cultural Sustainability and Vitality of Chinese Vernacular Architecture: A Pedigree for the Spatial Art of Traditional Villages in Jiangnan Region

Liu

Liao

et al. 2019

Sustainability

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Presently, the rapid urbanization in contemporary cities in China has resulted in more buildings of low cultural value and high energy consumption. Many traditional Chinese villages exhibit special spaces that have been optimally adapted to the climatic and environmental features of the area using vernacular methods. The buildings in these villages can maintain the environment more sufficiently for the intended programs and consuming a lower level of resources. The construction technics and the artistic features in these spaces are invaluable and inspiring for contemporary architectural practices. This study aims to establish a pedigree of the artistic features exhibited in traditional Chinese villages to support sustainable development. This is to be achieved through thoroughly exploring the spatial design of these villages archived in a big-data resource. The pedigree integrates the dynamics (cultural changes over a certain period of time) and static (spatial features at a fixed time) of how the spaces in these villages have evolved. It is concluded that both a high level of sustainability and exceptional artistic quality have been achieved over a long history in many of these villages where traditional construction methods and design principals were employed.

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“…This change cannot be separated from the process of meaning by the community, along with the socio-cultural processes that occur. The dynamics of cultural identity then affect changes in the form and layout of the house (Bambang et al, 2016).…”

Section: Introductionmentioning

confidence: 99%

Representation of Cultural Identity in Limas House Palembang

Purnama

Mulyanto

Yulasteriyani

2021

dimensi

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This study analyzes the limas house as reflect of Palembang cultural identity, which is interpreted as the identity of "as to becoming". The change in the limas house as a cultural marker is adaptive and dynamic following changes in cultural identity, mainly a family structure, kinship relationship, gender, and marital status. This research uses a qualitative method with the structuralism and phenomenological approach. The informant criteria determined purposively. The data was collected using observation, in-depth interviews, and documentation. The study uses structural analysis to find the structure of form and the layout of the limas house. The analysis of cultural studies is carried out to provide context for the dynamics of changes in cultural identity that affect changes in the limas house. The results showed the structure of the limas house reflects the organizing the layout of the house according to family structure, kinship relationship, gender, and marital status as the cultural identity Palembang. The cultural identity is dynamic through the processes of production and reproduction, thus influencing changes in the limas house. The dynamics of change show the limas house can accommodate social continuity. Limas house is an arena that shows cultural identity through building changes that are adaptive to the social processes. Limas house needs to be protected, maintained, and developed through reinterpretation and revitalization in line with the cultural dynamics of the society.

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Cultural Approach of Sustainability in Dwellings Culture Riparian Community Musi River Palembang

Cited by 5 publications

References 5 publications

The Logic of Bincar-Bonom and Structuralism Analysis on Room Arrangement of Dwelling in Mandailing

The Logic of Bincar-Bonom and Structuralism Analysis on Room Arrangement of Dwelling in Mandailing

Cultural Sustainability and Vitality of Chinese Vernacular Architecture: A Pedigree for the Spatial Art of Traditional Villages in Jiangnan Region

Representation of Cultural Identity in Limas House Palembang

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