Cubism and the Fourth Dimension

Ambrosio, Chiara

doi:10.1080/03080188.2016.1223586

Cited by 3 publications

(2 citation statements)

References 20 publications

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“…Sebagai contoh, bagi memasukkan dimensi 'masa', para seniman Barat mewujudkan dimensi ke-4 iaitu satu gaya baharu dan inovatif ke dalam karya. Pablo Picasso (1881-1973) misalnya, mempersembahkan dimensi 'masa' ke dalam karya 2D dengan menghasilkan permukaan bersatah bagi mengolah pandangan subjek yang sama tetapi dari sudut pandangan berbeza dikenali sebagai aliran Kubisme [7]. Kaedah yang sama digunakan oleh Salvador Dalí (1904Dalí ( -1989 bagi menggambarkan dimensi 'masa' dengan mengetengahkan subjek 'alam bawah sedar' yang melampaui alam fizikal dinamakan aliran surrealisme [8].…”

Section: Kriteria Projekunclassified

Lukisan Kontemporari Bertemakan ‘Dimensi 100 : Ruang Dan Masa’ Sempena Sambutan 100 Tahun Universiti Pendidikan Sultan Idris, Malaysia

Mokhtar¹,

Mahsan²,

Il³

et al. 2021

Journal of Humanities and Social Sciences

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Kertas ini membentangkan empat hasil karya lukisan projek tahun akhir bertemakan ‘Dimensi 100: Ruang dan Masa’ bagi penganugerahan Ijazah Sarjana Muda Pendidikan (Seni) dengan Kepujian, Jabatan Seni dan Reka Bentuk (JSRB), Universiti Pendidikan Sultan Idris (UPSI). Tema ini dipilih bersempena sambutan 100 tahun penubuhan UPSI. Bagi memenuhi kriteria projek, pelajar dikehendaki menghasilkan karya melalui tema yang diberi di samping meneroka kaedah-kaedah baharu yang dapat membawa perubahan kepada kelaziman studio lukisan secara kreatif dan inovatif. Kajian ini berfokus kepada empat orang pelajar major studio lukisan yang telah melaksanakan penyelidikan praktis studio melalui tiga fasa utama iaitu perkembangan idea, proses penghasilan karya, seterusnya persembahan karya. Dapatan kajian menunjukkan pelajar berjaya mensintesiskan tema melalui penghasilan empat buah karya lukisan kontemporari dalam bentuk eksperimentasi yang merentas disiplin bidang sains, seni persembahan, muzik dan tarian, fotografi, videografi, serta kemahiran digital sejajar dengan arus kemajuan teknologi terkini. Pameran virtual telah dilangsungkan secara talian menggunakan platform Artsteps. Karya-karya ini merupakan artifak yang dapat mencerminkan kebitaraan bakal guru seni kelahiran UPSI sebagai universiti pendidikan nombor satu di Malaysia. The Contemporary Drawings themed ‘Dimension 100: Space and Time’ in conjunction with the 100 years celebration of the establishment of Sultan Idris Education University, Malaysia Abstract: This paper presents four drawings with the theme of ‘Dimension 100: Space and Time’ from the final year project of Bachelor in Art Education (with Honours), Department of Art and Design (JSRB), Sultan Idris Education University (UPSI). This theme was chosen in conjunction with the 100 years celebration of the establishment of UPSI. The project criteria required students to produce series of drawings which related to the given theme as well as to creatively explore the new mediums and techniques that could bring ‘changes’ to the practice of drawing studio innovatively. This paper focuses on four students from the major of drawing studios who have carried out the studio practice research through three main phases, namely the development of ideas, the process of producing work, finally, and finally, the presentation of work. The findings found that the students have successfully synthesized the themes into the production of four contemporary drawings in the form of experimentation works which are crossed disciplines of science, performing arts, music and dance, photography, videography, and digital through the latest technology influences. The virtual exhibition was held online using the Artsteps platform. These works are the artifacts that can reflect the uniqueness of UPSI’s art teachers as the number one educational university in Malaysia. Keywords: Contemporary Drawings, Studio Practice, UPSI 100 Years Theme.

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Section: Kriteria Projekunclassified

Lukisan Kontemporari Bertemakan ‘Dimensi 100 : Ruang Dan Masa’ Sempena Sambutan 100 Tahun Universiti Pendidikan Sultan Idris, Malaysia

Mokhtar¹,

Mahsan²,

Il³

et al. 2021

Journal of Humanities and Social Sciences

View full text Add to dashboard Cite

show abstract

“…The physics discoveries of electromagnetic and radio waves, X-rays, and radiation at the end of the nineteenth century filled the emptiness of Euclidean space with different types of energies; Albert Einstein's special and general theories of relativity combined four dimensions in a single continuum. For further reading on the connection between the formation of Cubism and Suprematism with these scientific achievements, see Henderson, 1975Henderson, -1976Ambrosio, 2016;Luecking, 2010. 3 Henri Bergson introduced the concept of duration (la durée) (1889); time became a major theme in Edmund Husserl's thought (1928), Oswald Spengler dedicated his work The Decline of the West to the evolution of concepts of time and space and its influence on the nature and development of world cultures (1928).…”

Section: Introductionmentioning

confidence: 99%

Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era

Maystrenko-Vakulenko¹

2021

ars

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The study of time, space and movement as constituent art elements was a focus of attention of avant-garde artists. The theatre where events unfold both in space and time became a place of consolidation of Ukrainian artists, with the synergistic association of representatives in various art branches and movements. A scenographic sketch, that is, a two-dimensional realisation of idea of a future four-dimensional work, is a unique phenomenon to study the evolution of the avant-garde’s concept of the space-time continuum. Through the example of works of both distinguished and less known Ukrainian theatre artists we have studied features of the realisation of time and space categories according to the key stylistic directions of the Ukrainian avant-garde: cubism, futurism, cubo-futurism, constructivism, suprematism. A theoretical basis for the study has been provided by works of Western thinkers of the late nineteenth and early twentieth centuries: Edmund Husserl, Henri Bergson, Oswald Spengler, Ludwig Wittgenstein, Maurice Merleau-Ponty, and Meyer Schapiro, along with the Ukrainian art theorists Kasimir Malevich, Aleksandr Bogomasov, and Les Kurbas, as well as works of modern researchers such as Linda Henderson and Igor Duchan. We have drawn a parallel between the development of art concepts in the Ukrainian avant-garde and scientific achievements, and the sense of time and space categories in the philosophical thought of that epoch.

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Ecological Recentering in William Gibson’s The Peripheral

Bishop¹

2022

Polish Journal for American Studies

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William Gibson’s response to the rise of computing established him as a pioneering voice in twentieth-century science fiction, his finger not just on but shaping the pulse of his time. Gibson’s novel The Peripheral (2014) is no different. It responds to current, rising anxieties pertaining to climate change, shifting from his earlier ecoperipheral cyberpunk purview to a more holistic one, in which ecology is at least as much at the forefront of the future as is technology. This article draws on and expands Bakhtin’s chronotope to investigate how Gibson uses ecological time, particularly plant time, to reorient the trajectory of future imaginings. In doing so, he enmeshes that which had previously been relegated to the margins in his work, both socially and environmentally.

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Cubism and the Fourth Dimension

Cited by 3 publications

References 20 publications

Lukisan Kontemporari Bertemakan ‘Dimensi 100 : Ruang Dan Masa’ Sempena Sambutan 100 Tahun Universiti Pendidikan Sultan Idris, Malaysia

Lukisan Kontemporari Bertemakan ‘Dimensi 100 : Ruang Dan Masa’ Sempena Sambutan 100 Tahun Universiti Pendidikan Sultan Idris, Malaysia

Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era

Ecological Recentering in William Gibson’s The Peripheral

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