Kertas ini membentangkan empat hasil karya lukisan projek tahun akhir bertemakan ‘Dimensi 100: Ruang dan Masa’ bagi penganugerahan Ijazah Sarjana Muda Pendidikan (Seni) dengan Kepujian, Jabatan Seni dan Reka Bentuk (JSRB), Universiti Pendidikan Sultan Idris (UPSI). Tema ini dipilih bersempena sambutan 100 tahun penubuhan UPSI. Bagi memenuhi kriteria projek, pelajar dikehendaki menghasilkan karya melalui tema yang diberi di samping meneroka kaedah-kaedah baharu yang dapat membawa perubahan kepada kelaziman studio lukisan secara kreatif dan inovatif. Kajian ini berfokus kepada empat orang pelajar major studio lukisan yang telah melaksanakan penyelidikan praktis studio melalui tiga fasa utama iaitu perkembangan idea, proses penghasilan karya, seterusnya persembahan karya. Dapatan kajian menunjukkan pelajar berjaya mensintesiskan tema melalui penghasilan empat buah karya lukisan kontemporari dalam bentuk eksperimentasi yang merentas disiplin bidang sains, seni persembahan, muzik dan tarian, fotografi, videografi, serta kemahiran digital sejajar dengan arus kemajuan teknologi terkini. Pameran virtual telah dilangsungkan secara talian menggunakan platform Artsteps. Karya-karya ini merupakan artifak yang dapat mencerminkan kebitaraan bakal guru seni kelahiran UPSI sebagai universiti pendidikan nombor satu di Malaysia. The Contemporary Drawings themed ‘Dimension 100: Space and Time’ in conjunction with the 100 years celebration of the establishment of Sultan Idris Education University, Malaysia Abstract: This paper presents four drawings with the theme of ‘Dimension 100: Space and Time’ from the final year project of Bachelor in Art Education (with Honours), Department of Art and Design (JSRB), Sultan Idris Education University (UPSI). This theme was chosen in conjunction with the 100 years celebration of the establishment of UPSI. The project criteria required students to produce series of drawings which related to the given theme as well as to creatively explore the new mediums and techniques that could bring ‘changes’ to the practice of drawing studio innovatively. This paper focuses on four students from the major of drawing studios who have carried out the studio practice research through three main phases, namely the development of ideas, the process of producing work, finally, and finally, the presentation of work. The findings found that the students have successfully synthesized the themes into the production of four contemporary drawings in the form of experimentation works which are crossed disciplines of science, performing arts, music and dance, photography, videography, and digital through the latest technology influences. The virtual exhibition was held online using the Artsteps platform. These works are the artifacts that can reflect the uniqueness of UPSI’s art teachers as the number one educational university in Malaysia. Keywords: Contemporary Drawings, Studio Practice, UPSI 100 Years Theme.
The study aims to explore and study the visual-rhetoric-semiotic visuals as well as the symbol interpretation used in the public service announcement (PSA- Public Service Announcement) in Malaysia. Environmental issues have long been raised but the public is still lacking awareness and public not realize the limitations of the funds in each of these PSAs. This limitation makes the frequency of these ad campaigns unreachable, as is the usual product or service campaign advertising. Qualitative approaches with the case study and artworks analysis have been used in this study involving three environmental public service announcements. In addition, interviews were conducted on audiences in which the selection of participants by sampling aims and involves higher institution students, academics, graphic designers and public audiences. This is to see the interpretation of those involved as data which reinforces the results of this study. The data were analyzed using descriptive analysis which was divided into three stages namely descriptive, interpretation and evaluation. The results of the study as a whole can be summarized that the visual rhetoric used in public environmental services advertisements is an important aspect of delivering messages, using images as symbols and having the meanings on the contrary. The conclusions from the study show that the use of visual rhetoric is interesting to use as a symbol and translate the meaning in delivering messages.
Through the figure of women, various roles, situations, cultural identities, social and economic aspects are depicted in addition to presenting the aesthetics of women. The involvement of women in various situations and characters is important to know their characteristics, duties and responsibilities. This study focuses on the general chronology of the use of female figures in painting in Malaysia through a visual study by previous and recent painters. Through this analysis, the use of female figures in local paintings can be known and further contribute to the documentation process in an organized manner in addition to learning cultural values, identity and national treasures.
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