2018
DOI: 10.1177/0193723518758457
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Cruel Optimism in Sport Management: Fans, Affective Labor, and the Political Economy of Internships in the Sport Industry

Abstract: For university students in sport management programs, working in sports is often the end goal, and internships have become the most common curricular component for achieving this end. Sport management students bring to these internships various backgrounds and active fan attachments with sports that structure their work experiences and create certain conditions of exploitation. We thus conducted interviews with current and soon-to-be interns to understand their subjective perceptions and experiences of working… Show more

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Cited by 31 publications
(24 citation statements)
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“…When a sequence of unpaid internships starts to become an entry barrier into a field, it also starts to add to the precarity of work. As recent research has found, some candidates aspiring to work in sports have suggested that an internship is something they themselves should be paying for, instead of the other way around (Hawzen et al 2018). While this practice was not uncommon several centuries ago in relation to apprenticeships that trained people for crafts and trades (Frenette 2015), today, it sounds rather provocative.…”
Section: Discussionmentioning
confidence: 99%
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“…When a sequence of unpaid internships starts to become an entry barrier into a field, it also starts to add to the precarity of work. As recent research has found, some candidates aspiring to work in sports have suggested that an internship is something they themselves should be paying for, instead of the other way around (Hawzen et al 2018). While this practice was not uncommon several centuries ago in relation to apprenticeships that trained people for crafts and trades (Frenette 2015), today, it sounds rather provocative.…”
Section: Discussionmentioning
confidence: 99%
“…Work in the creative economy has been described as 'affective labour', which refers to the 'immaterial labour' typical for so many service industries that is based on relationships and incites feelings of wellbeing, connectedness, passion and excitement (Neff, Wissinger, and Zukin 2005;Hardt and Negri 2000): many workers in the cultural industry experience a strong affective attachment to arts and culture, and at times also a 'fan experience', similar as within sports (Hawzen et al 2018). Such 'fanworker' duality is a clear manifestation of the 'tendency in late capitalism to refashion labour as love, "the grind" as the goal, and cruelty as optimism' (Hawzen et al 2018, 201;McRobbie 2016).…”
Section: Work In the Cultural Industrymentioning
confidence: 99%
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