2018
DOI: 10.3390/su10061907
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Crafting Sustainability: Handcraft in Contemporary Art and Cultural Sustainability in the Finnish Lapland

Abstract: Abstract:Crafting sustainability is discussed here with respect to the dimensions of handcraft traditions in contemporary art for promoting cultural sustainability in the Scandinavian North. Aspects of decolonization, cultural revitalisation, and intergenerational dialogue form an integral part of the negotiations around the need for cultural survival and renewal for a more sustainable future. These dimensions should also be considered in the development of the current education of art teachers. Learning tradi… Show more

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Cited by 35 publications
(44 citation statements)
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“…The cultural heritage of museums reflects local history and collective memories [37]. Therefore, museums can use their cultural heritage to strengthen the cultural identity of a community [19]; give a sense of place, rootedness, and belongingness to the residents; ensure continuity of traditional practices [37]; represent cultural diversity; promote intercultural dialogue, understanding, and tolerance; achieve a higher degree of social inclusion and cohesion [40]; and foster quality of life [41]. Moreover, cultural heritage is an essential resource for economic development.…”
Section: Introductionmentioning
confidence: 99%
“…The cultural heritage of museums reflects local history and collective memories [37]. Therefore, museums can use their cultural heritage to strengthen the cultural identity of a community [19]; give a sense of place, rootedness, and belongingness to the residents; ensure continuity of traditional practices [37]; represent cultural diversity; promote intercultural dialogue, understanding, and tolerance; achieve a higher degree of social inclusion and cohesion [40]; and foster quality of life [41]. Moreover, cultural heritage is an essential resource for economic development.…”
Section: Introductionmentioning
confidence: 99%
“…The sixth is to conduct productive protection of lacquer arts. Productive protection of intangible cultural heritage projects is to make them pass on and develop better through production on the premise of conforming to the law of protection [14,35]. Therefore, on the one hand, through productive protection, we should enable lacquer art to survive in the commodity market and acquire economic benefits, thus mobilizing the enthusiasm of employees and attracting more talents to learn and pass on this project [30]; on the other hand, we should make lacquer products enter thousands of households through production and become a part of people's daily life [23].…”
Section: Discussionmentioning
confidence: 99%
“…The concept includes indigenous and non-indigenous art, as well as art blending the two, and it is politically loaded in that it is used to identify the specificities of the arts and culture in the Arctic and promote sustainability and diversity [33]. The concept of Arctic arts also refers to an alternative way of seeing art, design and crafts as interwoven as well as integrated into daily living-in contrast to the dualistic Western culture of separating art, design and crafts into distinct disciplines [34,35]. This idea is derived from indigenous scholars in the Arctic, such as Sámi artist and researcher Gunvor Guttorm [36].…”
Section: The Impact Of Arctic Arts On Diverse Sectors Of Society and mentioning
confidence: 99%