2021
DOI: 10.5334/jcms.200
|View full text |Cite
|
Sign up to set email alerts
|

COVID-19 Pandemic: Threat or Opportunity for Blind and Partially Sighted Museum Visitors?

Abstract: The Coronavirus (COVID-19) pandemic is having a severe impact on museums and the cultural sector. New social distancing rules, one-way navigation systems, and hand sanitising regulations are affecting the embodied practice of visitors inside the museum. These changes potentially pose a threat to the experience of disabled people, in particular blind and partially sighted visitors, as they create new barriers to access the environment and the collection. On the other hand, the development of accessible digital … Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

0
7
0

Year Published

2022
2022
2024
2024

Publication Types

Select...
5
3

Relationship

0
8

Authors

Journals

citations
Cited by 18 publications
(10 citation statements)
references
References 11 publications
0
7
0
Order By: Relevance
“…The cross-sectorial disruptor represented by COVID-19 has highlighted the fragility of the consumptive aspects of cultural heritage, in particular cultural tourism [98], museum visits [79], auditory heritage [99,100], festivals [101,102] and community events [102] as well as seasonal markets [103]. While several cultural tourism localities and cultural institutions swiftly pivoted to various forms of virtual delivery [104][105][106][107] touting it as the new dawn, this pivot marginalized some segments of society [108]. Indeed, many intangible aspects of heritage, in particular those that rely on multisensorial experiences could not be replicated fully and could only be substituted in rudimentary form [103].…”
Section: Lessons From the Covid-19 Pandemicmentioning
confidence: 99%
“…The cross-sectorial disruptor represented by COVID-19 has highlighted the fragility of the consumptive aspects of cultural heritage, in particular cultural tourism [98], museum visits [79], auditory heritage [99,100], festivals [101,102] and community events [102] as well as seasonal markets [103]. While several cultural tourism localities and cultural institutions swiftly pivoted to various forms of virtual delivery [104][105][106][107] touting it as the new dawn, this pivot marginalized some segments of society [108]. Indeed, many intangible aspects of heritage, in particular those that rely on multisensorial experiences could not be replicated fully and could only be substituted in rudimentary form [103].…”
Section: Lessons From the Covid-19 Pandemicmentioning
confidence: 99%
“…A remarkable amount of research on this topic is found in the literature. Some of these studies [ 7 15 ] focus on the experiences of people who are BPS during their museum visits.…”
Section: Related Workmentioning
confidence: 99%
“…To ensure sensory access, 3D replicas of exhibits were identified as of the utmost importance. In a recent study, during the first lockdown in the UK, Cecilia [ 15 ], using semi-structured interviews, examined concerns and expectations of visitors who are BPS regarding museum visits after the Coronavirus (COVID-19) pandemic. Highlighting the limited tactile access before the pandemic, museum visitors who are BPS expressed their concerns about losing even this access after the pandemic.…”
Section: Related Workmentioning
confidence: 99%
“…As for future lines of research, we recommend the inclusion of other variables related to protection against the coronavirus and in activities such as visits to tangible heritage (e.g., Tsironis et al, 2021 )., archaeological sites (e.g., Geser, 2021 ; Magnani et al, 2021 ), or museums (e.g., Bernardi, 2021 ; Cecilia, 2021 ). Moreover, a more in-depth study is needed of the relationship between destination, heritage and loyalty in this context.…”
Section: Conclusion and Limitationsmentioning
confidence: 99%