Construcion of the Spatial Concept of Art and Culture in Keraton Kacirebonan, Indonesia

Abstract

Art is an integral part in the spread of Islamic religion in the past. Keraton Kacirebonan as one of the three Keratons in Cirebon, was initially built with the purpose of spreading Islam in Java island. Until now, art and cultural activities remain intact in Keraton Kacirebonan. It has a studio specifically designed for this purpose namely Sanggar Tari Topeng Gaya Slangit as tari topeng or traditional mask dance itself conveys the meaning of life. The purpose of this paper is to construct the spatial concept of art and culture in Keraton Kacirebonan. The method applied in this paper is a theoretical dialogue between themes derived from inductive reasoning and viewed from the perspective of humanism and the Sundanese identity of Keraton Kacirebonan. The result of this paper deals with a local wisdom concerning values of life that need to be preserved, mainly those that are being eroded by modernity in conjunction with the globalization agenda.

The Memayu Ritual Tradition Route as a Sacred Space of Cultural Landscape Case Study: Kanoman Palace, Cirebon, Indonesia

“…In other research on the Kanoman Palace, there is a discussion on the perspective of cosmology and building orientation (Lestari et al, 2021). There is also research on the Palace Palace, which looks more at the role of dance as a tourist attraction (Narawati, 2019), the development of tourist information technology (Hartono et al, 2020), the conservation of palace buildings (Agustina et al, 2021) and viewing Kanoman Palace in a spatial concept (Agustina et., al., 2019). Due to limitations in research that discusses sacred space at Kanoman Palace, exploration is needed on how the activity of memu tradition constitutes the cultural landscape of the palace and how it meets the requirements of the outstanding universal value (OUV) criteria developed by the World Heritage Center (2008).…”