Conséquences psychologiques du premier confinement en France : différences individuelles et vécu affectif

How regulation strategies protected or worsened emotional experience during France's three lockdowns: Prepandemic versus pandemic comparisons and longitudinal approach

“…Our first hypothesis predicted that negative affect would be considerably higher during the lockdowns than before the pandemic, while positive affect would be considerably lower. On the issue of gender, and in line with previous studies ( Congard, Boudoukha, et al, 2022 ; Congard, Le Vigouroux, et al, 2022 ; Fernández-Abascal & Martín-Díaz, 2021 ; Gullo et al, 2020 ; Park et al, 2021 ; Smith et al, 2020 ; Wang et al, 2020 ), we expected women to be more negatively affected by this situation than men, reporting less positive affect and more negative affect than their male counterparts.…”

“…There has been little research on affective changes since the start of the pandemic, with a particular dearth in France. The present study focused on two different outcomes: changes in the French population's emotional experience across the three lockdowns, compared with prepandemic levels ( Congard et al, 2019 ; Congard, Boudoukha, et al, 2022 ; Congard, Le Vigouroux, et al, 2022 ; Pavani et al, 2017 ; Pavani et al, 2020 ); and the impact of emotion regulation strategy use across the three lockdowns, looking at the protective role of certain strategies and people's potential ability to adapt to the situation over time.…”

Willingness to be vaccinated against COVID-19: the role of risk perception, trust in institutions, and affects

“…Emotional responses to the pandemic have been identified by a number of research studies ( Chou and Budenz, 2020 ; Lwin et al, 2020 ; Congard et al, 2022 ), concerning both positive and negative feelings associated with COVID-19. Among the negative outcomes, depressive, anxious and traumatic symptoms were observed in the general population during the lockdown in the USA ( Tull et al, 2020 ), in India ( Pandey et al, 2020 ) or in Italy ( Prati, 2020 ).…”