2008
DOI: 10.1111/j.1744-1714.2008.00057.x
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Coming Attractions: Opportunities and Challenges in Thwarting Global Movie Piracy

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Cited by 11 publications
(6 citation statements)
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“…Internet piracy is defined as the unauthorized copying and distribution via the internet (p2p network, pirate servers, illegal web sites and hacked computers) of intellectual property such as movies, music, games and software (Hyman, 2006; Australian Federation Against Copyright Theft (AFACT), 2007; Masanell and Drane, 2010). The hacking of vulnerable web sites by defeating digital rights management tools to steal games developers’ creations is also referred to as internet piracy (Ponte, 2008). As the digital environment is evolving and becoming more conducive to the unauthorized use of games files, it also provides opportunities for the downloading and uploading of digital files and games on the internet, such as BitTorrent, which moves large files more efficiently through cyberspace (Kwok, 2004; Ojeda‐Zapata, 2004; Hyman, 2006; Masanell and Drane, 2010).…”
Section: Relevant Literaturementioning
confidence: 99%
“…Internet piracy is defined as the unauthorized copying and distribution via the internet (p2p network, pirate servers, illegal web sites and hacked computers) of intellectual property such as movies, music, games and software (Hyman, 2006; Australian Federation Against Copyright Theft (AFACT), 2007; Masanell and Drane, 2010). The hacking of vulnerable web sites by defeating digital rights management tools to steal games developers’ creations is also referred to as internet piracy (Ponte, 2008). As the digital environment is evolving and becoming more conducive to the unauthorized use of games files, it also provides opportunities for the downloading and uploading of digital files and games on the internet, such as BitTorrent, which moves large files more efficiently through cyberspace (Kwok, 2004; Ojeda‐Zapata, 2004; Hyman, 2006; Masanell and Drane, 2010).…”
Section: Relevant Literaturementioning
confidence: 99%
“…Therefore, they are more likely than the devils to be deterred by technological measures such as encrypting technology (Appendix), content scrambling systems, watermarking and digital rights management (Deloitte, ; Gantz and Rochester, ). All of these strategies are being used, although they quickly become obsolete when technologically ‘savvy’ users find innovative solutions of their own that circumvent the deterrents and/or make them obsolete (Ponte, ). Furthermore, a number of recent studies have shown that overall it may be more beneficial for firms not to introduce digital rights management protection because it interferes with network effects and reduces price competition (e.g.…”
Section: Discussionmentioning
confidence: 99%
“…Perhaps one of the key issues in this context is that consumers are not offered what many of them appear to want, namely fast access to new films. Some experimentation with a ‘day and date’ release, one release date for cinema, cable TV and DVD, has taken place, but so far only experimental films have been involved, and the mainstream studios and distributors are shunning this idea because they see it as a serious threat to their revenue stream (Ponte, ). A much wider experimentation with this model—it has not been tried with mainstream films—might encourage consumers to change from illegal to legal consumption behaviour.…”
Section: Discussionmentioning
confidence: 99%
“…For researchers and advocates, human trafficking films are useful tools to conduct more inclusive discussions on the realities of human trafficking and to respond comprehensively to current issues. 9 Lucille M. Ponte (2008) was more concerned about movie piracy. He pointed out that the film industry faces global film piracy.…”
Section: The Starting Point For Ratings and Reviews: Social Issuesmentioning
confidence: 99%
“…In fact, it has established a standard system for the -m ainstream‖ and -positive‖ content and value standards of society. 12 Russian scholar Maxim Duula (Максим Туула), in " System of Age Ratings (Restrictions) in Russia: Revolution or Profanation?‖ made discussions on the Russian film grading system, and induced and summarized the film grading experience in Germany, France, the United States, Estonia and other countries. Film grading is based on different film themes: for example, sex, nudity, violence and slang, drugs, ethnic, racial and religious discrimination, antisocial behavior, etc.…”
Section: The Operation Of Film Grading and Censorshipmentioning
confidence: 99%