“…The Cultural, Communicative, and Political Significance of Imperial Nostalgia Studies for Today's Audiences Communication scholars have already studied the therapeutic (Depoe, 1990;Smith, 2000), and political roles that nostalgia 1 plays in nationalist contexts (Janack, 1999;Hasian, 2001;Parry-Giles & Parry-Giles, 1998), and I suggest here that we add to our understanding of this phenomenon by decoding how imperial nostalgias appear in 21st-century productions that represent ideological positions on the global war on terrorism (GWOT). Stoler (2008) contended that when scholars study interventions like the invasion of Iraq or other facets of the GWOT, they cannot help noticing that public domains start filling up with the ''familiar frame of imperial beneficence and defense' ' (p. 191), and she remarked that the debris of empires past become parts of ''a vocabulary'' that is ''bound to the urgent themes of security, preparedness, states of emergency, and exception that are so current today' ' (p. 192).…”