2014
DOI: 10.1080/01463373.2014.949389
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Skyfall, James Bond's Resurrection, and 21st-Century Anglo-American Imperial Nostalgia

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Cited by 9 publications
(1 citation statement)
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“…The connective tissue in question instead acknowledges the anguish of growing old, with Craig's frequently traumatised (even if then always revitalised) physical frame coming to stand, in Marouf Hasian Jr. and some other commentators' view, as 'a characterological symbol of British weakness and decay'. 35 In linking the most recent Bond films to questions of national identity, those recent observers build upon a longer-term critical legacy. As James Chapman and numerous other critics have argued since the original 1950s and '60s publication of Ian Fleming's novels, 'the [Bond] books and films… attempt to mediate the decline of British power by creating an imaginary world in which the Pax Britannica still operates'.…”
Section: Nobody Does It Better? Craig's Bond and Twenty-first-centurymentioning
confidence: 99%
“…The connective tissue in question instead acknowledges the anguish of growing old, with Craig's frequently traumatised (even if then always revitalised) physical frame coming to stand, in Marouf Hasian Jr. and some other commentators' view, as 'a characterological symbol of British weakness and decay'. 35 In linking the most recent Bond films to questions of national identity, those recent observers build upon a longer-term critical legacy. As James Chapman and numerous other critics have argued since the original 1950s and '60s publication of Ian Fleming's novels, 'the [Bond] books and films… attempt to mediate the decline of British power by creating an imaginary world in which the Pax Britannica still operates'.…”
Section: Nobody Does It Better? Craig's Bond and Twenty-first-centurymentioning
confidence: 99%