2010
DOI: 10.1016/j.lrp.2009.10.006
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Collaborative Strategies in Design-intensive Industries: Knowledge Diversity and Innovation

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Cited by 144 publications
(131 citation statements)
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“…That is, how knowledge gained from one client can be used to explore or exploit across client relationships in the portfolio, or how the value of knowledge attained within a client relationship can shift with changes to the knowledge-base, or priorities, of the firm. This is an important omission as research on collaborative innovation (Dell'Era and Verganti, 2010) suggests that the value of knowledge attain in any one collaboration is enhanced by its integration with knowledge generated in another. Therefore, we argue for a dynamic portfolio perspective on ambidexterity that acknowledges the sources of knowledge and how it is explored and exploited, both within client relationships and across the client portfolio.…”
Section: External Relationships As a Source Of Ambidexteritymentioning
confidence: 99%
“…That is, how knowledge gained from one client can be used to explore or exploit across client relationships in the portfolio, or how the value of knowledge attained within a client relationship can shift with changes to the knowledge-base, or priorities, of the firm. This is an important omission as research on collaborative innovation (Dell'Era and Verganti, 2010) suggests that the value of knowledge attain in any one collaboration is enhanced by its integration with knowledge generated in another. Therefore, we argue for a dynamic portfolio perspective on ambidexterity that acknowledges the sources of knowledge and how it is explored and exploited, both within client relationships and across the client portfolio.…”
Section: External Relationships As a Source Of Ambidexteritymentioning
confidence: 99%
“…These 22 collaborations harness the wisdom of a wide network of architects, curators, publishers, professionals, craftsmen, artists and designers which ensure that the firm remains at the cutting edge of design (Verganti, 2006). This network, with over two hundred participants, is frequently credited for the firm's success (Dell'Era and Verganti, 2010). In this way both the artistic and business skills are present and highly regarded and there is a catalytic interrelationship between these skills.…”
Section: Benefits Of Collaborationmentioning
confidence: 99%
“…In particular, it seems that a new competitive arena is emerging in services connected with design and creativity, rather than having a pre-existent radical change in the design and creativity professional services. In the current competitive arena, which features stable and consolidated relationships between large-scale production players, incumbent designers and design consulting firms (Capaldo 2007;Dell'Era, Verganti 2010), there is now a new scenario that features new players (including newcomer designers and small-scale producers) who base their competitive advantages on a new external networks -the beta-network -that leverage spreading creativity models. The proliferation of instruments and software open to design, the spread of cultures linked to 'making' and advanced selfproduction (Senneth 2008;Micelli 2011), together with the potential of the 2.0 web and social networks, are the key factors and the background for the development of these new forms of creativity and manufacturing.…”
Section: Emerging Issues and Conclusionmentioning
confidence: 99%