Coleccionismo y colecciones de la laca extremo oriental en España desde la época del arte namban hasta el siglo XX

Kawamura, Yayoi

doi:10.26754/ojs_artigrama/artigrama.2003188366

Cited by 4 publications

(2 citation statements)

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“…In 1584, Philip II received three lacquered objects, now lost, from three young Japanese Christians who were visiting him, known as the Tensho Legation, organised by the Jesuits [4]. Furthermore, the same monarch possessed several lacquered pieces considered Namban-style lacquer (henceforth known as Namban lacquer) [5].…”

Section: The Arrival Of Japanese Lacquer In New Spainmentioning

confidence: 99%

“…On the other hand, the oidor (judge) of the Audiencia (Court) of Manila, Juan Manuel de la Vega, wrote a letter in 1612 to Juan Ruiz de Contreras, Secretary of the Real y Supremo Consejo de Indias (Council of the Indies) in Madrid 5 , in which he spoke of the shipment in 1610 of "a golden writing desk from Japan with silver trim and key" and another sent in 1612 "a large golden writing desk with silver trim and a key" 6 as a wedding present. The letter reveals that the oidor of Manila chose an object of Namban lacquer as a present for his superior.…”

Section: The Arrival Of Japanese Lacquer In New Spainmentioning

confidence: 99%

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Influence of Japanese Namban Lacquer in New Spain, Focusing on Enconchado Furniture

Kawamura,

García Barrios

2024

Heritage

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This work studies one type of artistic production from the Viceroyalty of New Spain during the second half of the seventeenth century and the beginning of the following century. Furniture decorated with the technique of enconchado is studied to point out the influence of Namban lacquer as well as the relationship with enconchado painting, a better known and studied corpus than furniture, and also its link to Mexican lacquer, maque. The identification and study of three pieces of furniture that feature the enconchado technique, and a cross, probably decorated with maque, offer a complementary vision of the art of enconchado and allow us to consider enconchado furniture an independent artistic genre.

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Section: The Arrival Of Japanese Lacquer In New Spainmentioning

confidence: 99%

Section: The Arrival Of Japanese Lacquer In New Spainmentioning

confidence: 99%

Influence of Japanese Namban Lacquer in New Spain, Focusing on Enconchado Furniture

Kawamura,

García Barrios

2024

Heritage

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Globalisation, Market Formation and Commoditisation in the Spanish Empire. Consumer Demand for Asian Goods in Mexico City and Seville, C. 1571-1630

Gasch-Tomás

2014

RHE / JILAEH

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This article aims to shed light on the process and mechanisms through which Asian manufactured goods (Chinese silk and porcelain, among others) were commoditised and how markets for such goods were formed in the Spanish Empire. After the opening of the Manila Galleon route in 1571 supply of and demand for Asian goods grew in the Spanish Empire, but retail means of supply of such goods were scantly developed. The article offers an econometric model which, when applied to data on a sample of probate inventories of elites of Mexico City and Seville, determines the influence of belonging to private, familial global networks in consumer demand expansion for Asian manufactures throughout the Spanish Empire.

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Nanban Art and its Globality: A Case Study of the New Spanish Mural The Great Martyrdom of Japan in 1597

Arimura¹

2019

Hist. Soc.

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Traditionally, nanban art has been seen as a simple product of exchanges between Japan, Portugal and Spain. The historiography tends to solely focus on artistic contributions of the Society of Jesus due to the foundation of a painting school in Japan. Thereby, the relevance of the Indo-Portuguese route in the cross-cultural history has been emphasized. However, the research advances of the last decades identify that nanban works consist of artistic inheritances from diverse regions of the world which were connected through the Portuguese and Spanish transoceanic routes. Similarly, Japanese nanban art influenced the artistic productions on the other side of the world. In summary, nanban art cannot be understood without taking into account its global implications. This paper clarifies the changes in epistemological understanding of nanban art, and its redefinitions through a historiographical review. This work also shows the important role of Spanish America in the artistic exchange mechanisms; these interactions occurred reciprocally. Therefore, the New World was one of the regions where Japanese art significantly influenced local productions. To exemplify this phenomenon, we address the influence of nanban art on the mural painting The great martyrdom of Japan in 1597 in Cuernavaca, Morelos, Mexico.

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Coleccionismo y colecciones de la laca extremo oriental en España desde la época del arte namban hasta el siglo XX

Cited by 4 publications

References 1 publication

Influence of Japanese Namban Lacquer in New Spain, Focusing on Enconchado Furniture

Influence of Japanese Namban Lacquer in New Spain, Focusing on Enconchado Furniture

Globalisation, Market Formation and Commoditisation in the Spanish Empire. Consumer Demand for Asian Goods in Mexico City and Seville, C. 1571-1630

Nanban Art and its Globality: A Case Study of the New Spanish Mural The Great Martyrdom of Japan in 1597

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