2018
DOI: 10.1108/qaoa-02-2018-0008
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Co-creativity: possibilities for using the arts with people with a dementia

Abstract: Purpose-The purpose of this paper is to explore the concept of co-creativity in relation to artistic practice with people with a dementia. The aim of the discussion is to outline how co-creativity offers fresh approaches for engaging artists and people with dementia, can contribute to less restrictive understandings of "creativity" and above all, expand the understanding of people with a dementia as creative, relational and agential. Design/methodology/approach-In order to examine current conceptions of co-cre… Show more

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Cited by 54 publications
(66 citation statements)
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“…Recently, a growing body of literature has emerged relating to the everyday creativity of people living with dementia (Bellass et al 2018), drawing particularly from the notions of 'little-c' creativity (Simonton 2013;Silvia et al 2014). This focus on everyday creativity also incorporates ideas of 'being in the moment' with the person living with dementia positioned as an active, creative contributor to the artistic process, rather than as passive recipient of whatever task it is that he or she is being asked to perform (Zeilig, West and van der Byl Williams 2018). That said, whilst there has been a growth in work regarding 'being in the moment' in the context of dementia studies and care/interactive practices, the experience itself is currently lacking a definition and conceptual framework on which to build a consensus of understanding.…”
Section: Moments and Living With Dementiamentioning
confidence: 99%
“…Recently, a growing body of literature has emerged relating to the everyday creativity of people living with dementia (Bellass et al 2018), drawing particularly from the notions of 'little-c' creativity (Simonton 2013;Silvia et al 2014). This focus on everyday creativity also incorporates ideas of 'being in the moment' with the person living with dementia positioned as an active, creative contributor to the artistic process, rather than as passive recipient of whatever task it is that he or she is being asked to perform (Zeilig, West and van der Byl Williams 2018). That said, whilst there has been a growth in work regarding 'being in the moment' in the context of dementia studies and care/interactive practices, the experience itself is currently lacking a definition and conceptual framework on which to build a consensus of understanding.…”
Section: Moments and Living With Dementiamentioning
confidence: 99%
“…In this sense, my fieldwork was collaborative in that participants as well as non-participants not only contributed to the research by way of co-presence and dwelling, but also performed their ordinary practices on their own terms and according to their own interests, and at their own speed (Fabian 2014 ). This ethnography is thus performative, reflexive and ethical, appreciating all subjects involved in the study including non-human beings, not only as participants but also as co-producers (Zeilig, West, and van der Byl Williams 2018 ; Swaffer 2016 ; Kontos et al 2015 ). Consequently, although non-participants remain anonymous throughout the study, without addressing their co-presence and dynamic “transmission of affect” (Brennan 2004 :3) I cannot demonstrate the whole lives of the participants.…”
Section: Everyday Practice As a Research Methodsmentioning
confidence: 99%
“…Like artistic creativity in people with dementias “co-creativity” is a nascent concept that has yet to be fully theorised. Nonetheless the term is steadily gaining in popularity, indeed the closely allied phrase “co-creation” can be found in various contemporary media ( Zeilig et al, 2018 ). However, there is currently no agreed definition of co-creativity and therefore the concept itself remains somewhat indistinct.…”
Section: The Dementias and Creativitymentioning
confidence: 99%
“…Artistic co-creativity as theorised and practised with people with a dementia shares some similarity to the understandings offered by design and business, in particular the possibility that distinctions can be erased between the artist-producer and participant-artist ( Zeilig et al, 2018 ). Equally, the emphasis on the equal contribution of all involved is pertinent.…”
Section: The Dementias and Creativitymentioning
confidence: 99%