2016
DOI: 10.1108/jfmm-10-2015-0085
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Co-creation and the development of SME designer fashion enterprises

Abstract: Purpose -The purpose of this paper is to examine the co-creation of SME designer fashion brands during internationalisation. Design/methodology/approach -As an exploratory study, this research utilises grounded theory methodology and incorporates the use of 38 semi-structured in-depth interviews with designer fashion enterprises and their support network of sales and PR agencies. Findings -Co-creation was identified as an important element for the successful integration of the entrepreneurial designer fashion … Show more

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Cited by 25 publications
(25 citation statements)
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References 49 publications
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“…It was stated by early scholars that customer interaction and participation allow the discovery of opportunities to develop relationships and loyalty (Cossío-Silva et al, 2016). Besides, Millspaugh and Kent (2016) also proposed that positive interaction with customers leads to brand equity development of SME. As suggested by Cambra-Fierro et al (2014) SMEs need to have frequent active dialogues and personal interactions with customers as it will improve the engagement process with them.…”
Section: Resultsmentioning
confidence: 99%
See 1 more Smart Citation
“…It was stated by early scholars that customer interaction and participation allow the discovery of opportunities to develop relationships and loyalty (Cossío-Silva et al, 2016). Besides, Millspaugh and Kent (2016) also proposed that positive interaction with customers leads to brand equity development of SME. As suggested by Cambra-Fierro et al (2014) SMEs need to have frequent active dialogues and personal interactions with customers as it will improve the engagement process with them.…”
Section: Resultsmentioning
confidence: 99%
“…Even more, recent findings by Kristal et al (2016) empirically found that co-creation has a beneficial impact on this new equity. Also, Millspaugh and Kent (2016) proposed that co-creation practices and positive interaction with customers lead to brand equity development of SME designer fashion enterprises. Based on the above discussion and findings, the following hypotheses are developed and Figure 01 illustrated the conceptual model of this study.…”
Section: Customer Participation Behavior and Brand Equitymentioning
confidence: 99%
“…La colaboración es tal vez una de las formas más eficientes de crear ambientes de innovación en las RC; las empresas que basan sus relaciones en el marketing transaccional restringen esta posibilidad (Addison, Lingham, Uslay y Lee, 2017), al contrario de las que se encuentran en el paradigma del MR, donde las inversiones en la relación fomentan la adopción de innovaciones y logran que las partes involucradas alcancen sus objetivos, incluidos los de tipo financiero (Hammarfjord y Roxenhall, 2017;Li y Huang, 2017;Wagner y Bode, 2014). En este sentido, las organizaciones orientadas al marketing propician el trabajo colaborativo con sus socios comerciales, proveedores y clientes, para aumentar las oportunidades de cocreación y, por ende, mejorar las experiencias por parte de los consumidores (Mahr, Lievens y Blazevic, 2014;Millspaugh y Kent, 2016;Song, Yu, Chatterjee y Jia, 2016).…”
Section: Trabajo Colaborativounclassified
“…A discernible rise in creative industry research globally over the last 15 years has accompanied mounting recognition that this heterogeneous sector is growing in social and economic importance (Bruin, 2005;Chun, Gurova, & Niinimäki, 2017;Lampel & Germain, 2016;Pratt & Jeffcutt, 2009;Rae, 2004, p. 492), particularly in 'recessionary times and post-recessionary times' (Henry & de Bruin, 2011, p. 1). Researchers' attention has focussed on the design process (e.g., Rieple, Gander, Pisano, & Haberberg, 2015), brand development (e.g., Ferrero-Regis & Lindgren, 2012;Kang, 2014;Matthiesen & Phau, 2010;Millspaugh & Kent, 2016;Moore & Birtwistle, 2004;Moore & Doyle, 2010;Roser et al, 2014), manufacturing chains (Gornostaeva, Rieple, & Barnes, 2014) and designers' careers (e.g., Yagoubi & Tremblay, 2016).…”
Section: Creative Industry Start-upmentioning
confidence: 99%