2001
DOI: 10.1068/p3108
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Classical and Inverted White's Effects

Abstract: In classical White's effect, intermediate-luminance targets appear lighter when they interrupt the dark stripes of a grating and darker when they interrupt the light stripes. The effect is reversed when targets are of double-increment or double-decrement luminance, relative to the luminances of grating stripes. To find a common explanation for classical and inverted effects, we ran two experiments. In experiment 1, we utilised intermediate-target displays to show that perceived transparency dominates over occl… Show more

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Cited by 26 publications
(35 citation statements)
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“…As flanking bar luminance increases within the range where flanking bar luminance and collinear bar luminance are both below or above the luminance of the test patch (the range which includes the simultaneous contrast stimuli), increasing flanking bar luminance results in a decrease in test patch matching luminance (again a contrast effect). Note that this latter condition is similar to that reported to produce “the inverted White effect” in which the effect is greatly reduced or appears to reverse (i.e., is in the direction of simultaneous contrast) when both inducing stripes are either above or below the luminance of the test patches (Ripamonti & Gerbino, 2001; Spehar, Gilchrist & Arend, 1995; Spehar, Clifford & Agostini, 2002). Over the regions of the matching functions corresponding to these stimuli (open circles and filled squares between 3.2 and 64 cd/m 2 and filled circles and open squares between 64 and 124.8 cd/m 2 ) there is very little difference (or indeed a reversal in test patch matching luminance) consistent with these reports.…”
Section: Discussionsupporting
confidence: 81%
“…As flanking bar luminance increases within the range where flanking bar luminance and collinear bar luminance are both below or above the luminance of the test patch (the range which includes the simultaneous contrast stimuli), increasing flanking bar luminance results in a decrease in test patch matching luminance (again a contrast effect). Note that this latter condition is similar to that reported to produce “the inverted White effect” in which the effect is greatly reduced or appears to reverse (i.e., is in the direction of simultaneous contrast) when both inducing stripes are either above or below the luminance of the test patches (Ripamonti & Gerbino, 2001; Spehar, Gilchrist & Arend, 1995; Spehar, Clifford & Agostini, 2002). Over the regions of the matching functions corresponding to these stimuli (open circles and filled squares between 3.2 and 64 cd/m 2 and filled circles and open squares between 64 and 124.8 cd/m 2 ) there is very little difference (or indeed a reversal in test patch matching luminance) consistent with these reports.…”
Section: Discussionsupporting
confidence: 81%
“…In White's display, the result is the inverted-White illusion (e.g. Ripamonti & Gerbino, 2001); in grating induction, the result is "visual phantoms" (Gyoba, 1983;. It is no accident that the same reversal also holds for the dungeon illusion (Bressan, 2006b;Bressan & Kramer, 2007), another lightness effect that, in DAT, is based on conflicting frameworks.…”
Section: Rationale Of Double Anchoringmentioning
confidence: 90%
“…Such a situation should possibly call in for the invocation of the K channel and we find that this in fact can successfully explain the experimental observations as in Blakeslee and McCourt (1999) (Figs 12 and 13), including the perceived inhomogeneity within the test patches. Another interesting situation occurs for the double increment or the double decrement conditions of the White illusion (Ripamonti and Gerbino, 2001;Spehar et al, 1995). Here we deal with the instance of double increment (Fig.…”
Section: Resultsmentioning
confidence: 99%