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“… Licia Fiol‐Matta, for example, uses Dolar's exegesis on the Lacanian object‐voice in her study of the Puerto Rican popular singer Myrta Silva, suggesting that Silva's voice “certainly served as a blind spot for the listener; and grew into an aesthetic disturbance to dominant, cultural‐nationalist culture.” See Fiol‐Matta 288. …”
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confidence: 99%
“… Licia Fiol‐Matta, for example, uses Dolar's exegesis on the Lacanian object‐voice in her study of the Puerto Rican popular singer Myrta Silva, suggesting that Silva's voice “certainly served as a blind spot for the listener; and grew into an aesthetic disturbance to dominant, cultural‐nationalist culture.” See Fiol‐Matta 288. …”
mentioning
confidence: 99%
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