“…Recent research of Oliver and her colleagues (Oliver, 2008;Oliver, Limparos, Tamul, & Woolley, 2009) has extended the scope of feeling qualities that may account for the appeal of tragic entertainment, highlighting the role of feelings such as tenderness (e.g., tender, kindly, understanding, sympathetic, warm) and meaningful affect (e.g., compassionate, inspired, introspective, and contemplative). Rather than sadness proper, these feelings seem to be characterized by the experience of mixed affect, that is, feeling happy and sad at the same time (cf., Larsen, McGraw, & Cacioppo, 2001).…”