Caminhante, não ha caminho. Só rastros

Colla, Ana Cristina; Sperber, Suzi Frankl

doi:10.47749/t/unicamp.2010.615904

Cited by 1 publication

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“…LUME is a group of actor-researchers who have devoted themselves to work in the field of the non-acting 3 techniques of the actor (Cf. Burnier, 2009;Ferracini, 2003;Hirson, 2006;Colla, 2013) Over time, the LUME Theater has been researching the various routes that ensure and legitimate the important role of a pedagogical vision that is necessary for and capable of providing the actor with the conditions for developing body and vocal languages at an adequate technical and artistic level. These non-acting techniques (Burnier, 2009;Ferracini, 2003) developed by the LUME Theater have an impact on the methodological axes that serve as guidelines for the following research projects that the laboratory has been devoted to, since its inception: Training Technique and Presence Energy, Personalized Dance and the Clown and Comic Corporeality.…”

Section: Training As a Path To Ethos In The Education Of Actorsmentioning

confidence: 99%

Training as a Path to Ethos in the Formation of the Actor

Péclat

Lopes

Ferracini

2021

Rev. Bras. Estud. Presença

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In this article, the authors discuss training as a way of shaping the ethos of the actor. The laboratory practice developed by the artists of the Odin Teatret and LUME Teatro serves as fundamental reference. Beginning with a historical contextualization of the European theater laboratories of the 20th century, the text moves on to focus on training within the context of the aforementioned groups. From the analysis of their artistic practices, the article proposed an interpretation of the training session as a place for developing and consolidating the ethos of the actor, understood as a catalyst for a set of practices and knowledge that artists acquire by through their work routines. In conclusion, the authors reaffirm the perspective that they offer by explaining how the laboratory practices of these theater groups has been reinvented, in light of the global pandemic restrictions of COVID-19.

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