Brazilian Popular Music and Globalization

Perrone, Charles A.; Dunn, Christopher

doi:10.4324/9780203462287

Cited by 20 publications

(3 citation statements)

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“…Music has been described as a strong marker of national Brazilian identity (McCann, 2004;Perrone & Dunn, 2002;Shaw, 1999;Vianna, 1999). Brazil's culture emerged from the mixing of three ethnic groups: indigenous populations, Portuguese colonizers, and African slaves.…”

Section: Brazilmentioning

confidence: 99%

“…For each national context, music styles for the measurement of culture-specific music preferences were selected based on previous literature (Bohlman, 2002;Devitt, 2008;Dioquino, 1982;Fung et al, 1999;Jones, 1995;Kalanduyan, 1996;Larkey, 2002;McCann, 2004;Mendoza, 1984;Mitchell, 1996Mitchell, , 2003Ochoa, 2001;Perrone & Dunn, 2002;Pimentel, Gouveia, & Vasconcelos, 2005;Reuter, 1981;Santos, 2005;Shaw, 1999;Stokes, 2004;Stroud, 2008;Vianna, 1999) and with the consultation of musical experts (ethnomusicologists and/or musicians). We prepared an initial list of music styles for each national context and discussed the potential relevance of these music styles with groups of students.…”

Section: Culture-specific Music Preferencesmentioning

confidence: 99%

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Music, identity, and musical ethnocentrism of young people in sixAsian,LatinAmerican, andWestern cultures

Boer

Fischer

Atilano

et al. 2013

J Applied Social Pyschol

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Ethnomusicologists and sociologists have extensively discussed the symbolic role of music in the creation, maintenance, and expression of cultural and national identity, while the underlying social psychological processes remain unexplored. We elaborate psychological mechanisms of identity construction and identity expression through culture‐specific music preferences. We propose and test a model linking music preferences to national identity via musical ethnocentrism in six student samples from Brazil, Germany, Hong Kong, Mexico, New Zealand, and the Philippines. In each context, culture‐specific music styles were related to national identity of its listeners and musical ethnocentrism mediated these effects. This paper bridges culture‐specific and universal perspectives on music and identity by examining the underlying psychological processes in Asian, Latin, and Western cultures.

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Section: Brazilmentioning

confidence: 99%

Section: Culture-specific Music Preferencesmentioning

confidence: 99%

Music, identity, and musical ethnocentrism of young people in sixAsian,LatinAmerican, andWestern cultures

Boer

Fischer

Atilano

et al. 2013

J Applied Social Pyschol

View full text Add to dashboard Cite

show abstract

“…McCann (2004) explored how Rio-based radio and popular music helped to develop an ideal of national culture between the 1920s and 1950s; Dunn (2001) discussed popular Brazilian music and culture in the 1960s; and Perrone and Dunn (2001) examined how centers of Brazilian musical production were developed in regions beyond Rio in the latter decades of the twentieth century. Moehn's study extends the perspectives of these works through exploration of national cultural production from recent distinct perspectives in a single location and timeframe.…”

mentioning

confidence: 99%