2005
DOI: 10.1177/0163443705053973
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Brand loyalties: rethinking content within global corporate media

Abstract: Translating content from one media platform to another, a process here dubbed content streaming, is the leitmotif of contemporary globalized media. Yet widely divergent interpretations of the phenomenon have emerged. Academic political economy interprets content streaming as powerfully inimical to cultural diversity, media competition and freedom of speech. Mainstream business reporting, working from an opposing media economics schema, pillories ‘synergy’-based content strategies as oversold in theory and unwo… Show more

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Cited by 39 publications
(25 citation statements)
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“…Declining advertising revenues have encouraged more and more print titles to reposition themselves as multi-platform entities (Duffy, 2013). But the re-cycling of strong content brands across a range of delivery platforms is a strategy that is visible across all sectors of the media (McDowell, 2006;Murray, 2005). Indeed, many media publishing businesses are now explicitly structured around the high profile cross-media brands which they own rather than, as might have been the case in the past, according to what sort of activities they are engaged in (e.g.…”
mentioning
confidence: 99%
“…Declining advertising revenues have encouraged more and more print titles to reposition themselves as multi-platform entities (Duffy, 2013). But the re-cycling of strong content brands across a range of delivery platforms is a strategy that is visible across all sectors of the media (McDowell, 2006;Murray, 2005). Indeed, many media publishing businesses are now explicitly structured around the high profile cross-media brands which they own rather than, as might have been the case in the past, according to what sort of activities they are engaged in (e.g.…”
mentioning
confidence: 99%
“…The coordinated nature of transmedia storytelling is further underscored in Jenkins (2011) when the phenomenon is described as: 'a process where integral elements of a fiction get dispersed systematically across multiple delivery channels for the purpose of creating a unified and coordinated entertainment experience'. This view of transmedia entertainment as the results of carefully orchestrated company strategies is also present in many other works, often based on a political economy perspective (Caldwell, 2006;Meehan, 1991;Murray, 2003Murray, , 2005Proffitt et al, 2007;Wasko, 1994Wasko, , 2001.…”
mentioning
confidence: 69%
“…Brand architectures are difficult to generalise about as multiple strategies are frequently combined in accordance with the demands of individual companies (Aaker and Joachimsthaler 2000, 8-23;Olins 2008, 44-51). Within the context of contemporary media industries, of which television constitutes just one part (Johnson 2012, 40), such management techniques have become essential due to cross-media ownership (Murray 2005).…”
Section: Itv In 2013: Brand Architecture and Rebrand Overviewmentioning
confidence: 99%