The SAGE Handbook of Consumer Culture 2018
DOI: 10.4135/9781473998803.n17
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Body Projects: Fashion, Aesthetic Modifications and Stylized Selves

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Cited by 7 publications
(3 citation statements)
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“…In a consumer culture, each individual is arguably invited to take responsibility over their body and appearance and called upon to invest in their looks (see Ghigi & Sassatelli, 2018). The invitation to work on one's looks comes with a promise of social and economic benefits; it entices people to believe in appearance as currency.…”
Section: Belief In Appearance As Currencymentioning
confidence: 99%
“…In a consumer culture, each individual is arguably invited to take responsibility over their body and appearance and called upon to invest in their looks (see Ghigi & Sassatelli, 2018). The invitation to work on one's looks comes with a promise of social and economic benefits; it entices people to believe in appearance as currency.…”
Section: Belief In Appearance As Currencymentioning
confidence: 99%
“…Portraying girls as sex objects is a common practice that can be influenced by different factors: the fashion industry (Ghigi and Sassatelli, 2018), the media (Graff, Murnen and Krause, 2013;Ward, Seabrook, Manago and Reed, 2016;Wright, Malamuth and Donnerstein, 2012), beauty contests (Cartwright, 2012;Barzoki, Mohtasham, Shashidi and Tavakol, 2017), the increasing practice of sexting (caused by children themselves or without their knowledge or consent), grooming (Catalina, López de Ayala and García Jiménez, 2014;Lorang, McNiel and Binder, 2016;Villacampa and Gómez Adillón, 2016), the normalisation of pornography among minors (Johnson and Berdahl, 2016;Olmos, 2016) and toward minors 1 (Taylor, Holland and Quayle, 2001), the way children and adolescent idols dress and act (Llovet et al, 2017;Marôpo, Vitorino and de Miranda, 2017), and the fact that parents are misinformed or unconcerned about images of sexualized minors (Lo, 2017).…”
Section: Palabras Clavementioning
confidence: 99%
“…Given that what society deems as fashionable is in a continually state of flux, consumers constantly need to make product choices to satisfy their ever-changing fashion-related needs and wants. This state of flux is, for the most part, due to the efforts of fashion designers, producers, marketers and retailers who constantly create new fashion trends and seek to foster the society-wide adoption of those trends (Ghigi and Sassatelli, 2018). The fashion industry comprises a significant number of players, including those involved in the design, production, distribution, marketing and retailing of fashion products (Britannica, 2019b).…”
Section: Introductionmentioning
confidence: 99%